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Cold Storage

I furnished my last design studio with bespoke Danish shelving, three Eames desk units, nine glass tables, 12 chairs, etc. When I closed the studio I moved the furnishings plus a few hundred design books—including books I’d written, foreign translations of my work, books by other designers that I’d published, translations of some of those books, oversized and rare design books, books signed by their authors and sent to me, and so on.

I could not fit the Danish shelving into my apartment—hell, it’s too large to fit into the elevators in my building. I gave away the Eames Desk units and fancy chairs. I managed to drag home my tulip chair and ball chair. Everything else went into a storage unit in Chelsea. It was an easy walk from my old studio to the Chelsea storage unit, and a healthy walk from my apartment to the unit. Every month I paid around $400 for the privilege of storing the stuff.

When companies buy other companies, employees and customers lose big.

At some point Chelsea Storage sold out to another company, which then sold to a third company, located somewhere in the middle of the Bronx.

That company didn’t tell me they’d moved my stuff, did not contact me about it, and certainly did not obtain my consent before moving it. I assume they were equally cavalier with the other existing customers. They didn’t even send a new contract.

Instead, they jacked up the monthly rate to $500 and began charging my old studio zeldman company card. I didn’t notice, and I cancelled the card soon afterwards, as you do when you close a business. Oops!

When their automated bills to me stopped getting getting paid, they naturally took responsibility for their mistake and reached out to me cordially.

I kid of course. What they did was send my account to a collection agency.

Ring-ring, my telephone’s talking.

When the agency reached me by phone and I inquired politely who they were (remember, nobody had contacted me), they explained grudgingly that I owed a few thousand dollars in back rent on the storage place I’d never heard of and had never contracted with.

I asked, what if I remove my stuff from your unit? They said, you can’t remove it until you pay us the back fees.

I went into debt to do so—at the time my partners and I were saddled with painful closing costs from shuttering our conference and publishing companies, so it was just more kindling for the big fire of business debt.

Once I got the money together to pay them off, they sent me a new two-year contract. I had no choice but to sign it.

A brief calm settled in. For a time, $500 flew out of my bank account every month and was directly deposited to these crooks’ account because I now had an ironclad contract with them and there was no other place to put my stuff.

I never visited the location or looked at my stuff. The whole thing might be a scam. For all I know, they set the old units on fire and are billing me for an imaginary storage space.

In any case, I’m an adult and a professional, and I don’t want my credit hurt any worse by debt than it has to be, so naturally I continued to pay them, telling myself I would shop around and find a closer and more affordable storage option soon, but this would do for now. And now, as is its frequent habit, soon stretched into years.

Bad business, meet bad software.

Then about six months ago, the company either changed their name again, or sold to a new owner, or for some other reason (rabies? astrology?) decided that since auto-pay through my bank worked fine and got them paid each month, they would stop using it.

Whatever the rationale, they stopped accepting payment from my bank and sent a boilerplate email telling me to visit their new custom payment website and leap backwards through my own anus each month to pay their increased fee with the least convenience possible.

Listen. There’s good payment software out there. You know it. I know it. My company makes some of the best, and, before I joined Automattic, my old studio had a partnership with another great shopping platform. But people who buy storage units without informing their customers don’t use or know about such things. They typically find some terrible software that’s built cheaply, quickly, and badly, and that’s what these folks did.

Remember: Good UX is what companies do when they have to. A company that has your stuff locked away doesn’t have to.

You’ll never guess what happened next.

Their new website has never ever worked for me.

Thus, every month I get an automated, threatening text demanding immediate payment via their website that never works. Every month I try.

I squander a good 20 minutes trying to log in. Every month the terrible website no longer accepts my password. Every month I create a new password which sometimes works for that month only, and then never again, and sometimes doesn’t even do that. (Because the new password process demands access codes and other information they have never sent me, so I cannot provide it.)

Inevitably, every month I reach out to them, explain the situation—not the part about them being shitheads whose business model is extractive and whose lousy business practices undoubtedly violate dozens of consumer protection laws. I never complain about any of that, because why burden an overworked phone operator, who has naught to do with the company’s policies? Besides, you attract more flies with honey, etc. So I just tell them—as if it is news; as if it hasn’t happened every month before—that I’m locked out of the site so cannot pay them, and politely ask them to send me a new temporary password so I can pay them.

Invariably they ignore me at first, because of course that’s what a company like this would do.

Typically they phone me a few dozen times—but I never pick up when they do. Eventually, they do what I asked. Which enables me to send them $500 that one time. Next month I’ll face the same hassle. And every month after that. For the privilege of believing that my precious book collection and those glorious shelves still exist somewhere, safely housed from storm and fire and mildew.

I know the solution is to journey to the Bronx twice: First time, to see if I even have a storage unit at the place, what’s in it, and what options I may have. (Switch to smaller, cheaper unit? Drag everything to the street?) Second time to take every stick of furniture out of their shitty business and find other places for it. Assuming any storage business in NYC behaves ethically, of course. Which, hey, eventually, with our new mayor, may happen. But hasn’t yet and I wouldn’t lay odds.

And whenever I actually have enough days off in a row to consider tackling this problem and putting it behind me, something else comes up—I’m sick, or my kid’s sick, or I just don’t feel like traveling to the Bronx to argue with some nice person who needed a job and has nothing to do with the bullshit their company inflicts on its customers. (After all, the company is likely even shittier to its employees than it is to its customers.)

For years, now, this thing has been like a small cancer in my life—like a painful wart in a private place—and I still can’t bring myself to deal with it. Blame it on PTSD and anxiety disorder. Anyway:

I never make new year’s resolutions but hear me now: Before this year ends, I will resolve this, if only just to symbolically give the finger to every low-down, chiseling, extractive business in Christendom as personified by these feckless fucks.

First post of 2026: Done. Apologies for not writing it prettier.

Bonus treat: studio.zeldman 3D walkthroughRoland Dubois.

Categories
family glamorous NYC

Who turned off the juice?

Beloved reader, I spent 90 minutes on hold with Con Edison yesterday, getting my power turned back on after a billing contretemps.

The whole 90 minutes, my brain’s shrieking, “You’re having a panic attack!”

And maybe I was.

I could rattle off my diagnoses, but the simplest way to state it is that the ordinary setbacks of life fill me with dread. Always have. For over a decade, I self-medicated daily. And nightly. And afternoonly. In 1993, with help from others, I changed my life’s trajectory. But removing the booze didn’t make me “normal.” Step work healed some old wounds, but I’m still deeply anxious on my best days. And this was not shaping up to be one of them.

Look, if recovering from alcoholism during the Clinton years didn’t magically cure me of the rest of my problems, you can imagine what it feels like, being me during these dark days of fascist overreach. And, hey, maybe you don’t need to imagine. Maybe every blank unholy news day feels scary, wrong, and depressing to you, too. No need to apologize. Some days, just showing up takes courage.

Even the positive things, like the kick-ass job my daughter did applying to colleges, come with deluxe boxed sets of anxiety for folks like me. Then factor in an IRS audit, medical debt, and various friend and family traumas unrelated to the ongoing assault on decency.

Got all that?

Now, take away my electricity (and therefore my internet access), sit me down in the dark beside an iPhone with a low battery (Will it die before I finish this call? I can’t charge it, I have no electricity!), and tell me to get on the phone with the utility company that just shut off my power.

You may expect me to show up, but not to glide serenely through.

Look, I wasn’t abducted by ICE or fired without cause after years of dedicated civic service. But, for Mrs Zeldman’s little boy, loss of light and power and 90 minutes of antipatterns are grounds enough for a panic attack. (Besides, nobody tells you it will take 90 minutes to speak for 60 seconds to a human being who’ll take your debit card number over the phone. It might have taken longer. In another timeline, I might still be on hold.)

Yes, they have a “pay your bill online” website. No, it doesn’t work on my phone. Yes, it semi-works on my desktop. But a desktop needs electricity to run and to access the web. And they had cut off my electricity. It was call them or stay without power.

(Footnote: Later, when everything was resolved, I discovered that their website also doesn’t work. I use Google’s Auth app for two-factor ID, which signs me in. But when I try to see my bill, the Con Ed website asks me to sign in again, and rejects the two-factor ID. Instead it needs to send a different code to my cell phone. Why a different code? Why not the Auth code? I assume because the developers worked in siloes and were forbidden to speak to each other when creating the website. So I give it permission to send the code to my phone, and then it never sends it. I tried four times. And yes, they had my correct phone number on file. It also says, if it keeps failing to send a code to my phone (so they obviously know they have a problem), I can have it send a code to my email address instead. Except that there is no affordance to do so. It’s like if I said you could win a prize by touching this sentence. Heckuva UX, Brownie. It’s almost like they want you to have to call their overworked, underpaid, understaffed support staff. Because you can’t use their site. To rub it in, every five minutes the bot that thanks you for being a customer is interrupted by a bot that tells you to use their website to pay your bill online, which, as I just explained, you can’t. But I digress.)

As the Muzak ground on, during the better moments when I was able to focus on breathing, I pushed down the panic by telling myself I’d take a personal day as soon as the call ended and my lights came back on. Why take a personal day? I love my job. But I honestly didn’t think I’d be able to put in a day’s work after 5400 seconds of “your call is important to us, please stay on the line.” I reckoned I’d be wrecked.

But here’s the thing, and it’s why I bothered tell you this: the instant the lights came back on, I was fine. Utterly, totally, calmly, and completely.

More than that: when the modem connected and told the router the news, I pounced on my desk and got back to work, a happy cog. As if I hadn’t just spent 90 minutes in the stench of my own fear and gloom.

Am I becoming slightly more resilient with age?

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glamorous New York City NYC Off My Lawn!

My Glamorous Life: The Unexpected Samples


A whinnying horse. A blaxploitation sample. A female instructor saying Chinese is the easiest language to learn. These three brief audio samples regularly interrupt my late-night headphone music listening.

I’m not tripping or having a medical episode. My bedroom faces the rear of the Chinese Mission to the UN. I can’t be certain that these unwelcome late-night audio interruptions come from there, but it’s a theory. If you’ve never fallen gently asleep to a bespoke playlist of jazz ballads, only to sit bolt upright in terror an hour later because a horse is shrilly whinnying in your ears, you should try it some time.


Photo by Mikael Kristenson on Unsplash

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Of Books and Conferences Past

Some of A Book Apart’s 50-odd primary paperbacks, arranged like a color spectrum, and photographed against a piece of wood.

Just as nobody who marries spends their wedding day planning their divorce, almost nobody starts a business contemplating what rocks it will eventually splinter and break upon, and how to build a life raft for themselves.

I take that back. Some folks I know, who played pivotal roles in the evolution of the web, actually started their businesses with a clear goal of selling them to somebody bigger. Like Typekit was designed to sell to Adobe. Or Blogger was designed to sell to Google.

Such folks, several of whom are now post-economy wealthy, lived in the Bay Area in the 1990s and early 2000s, where building to flip was widely discussed and accepted.

Meanwhile, in NYC…

I, on the other hand, live in New York. So I started my web businesses (like Happy Cog™ design studio) to serve clients, as NYC creatives have always done, and with no understanding that I would one day need to leave the company and should have an exit plan. Why would I exit? Why would I ever stop doing work that brought excitement and meaning to my life?

Similarly, I started my personal site with its “Ask Dr. Web” tutorials in 1995, and co-founded my web design publication, A List Apart, in 1997, for the sheer joy of sharing knowledge, with no concept of making money, let alone of one day selling the business.

Eventually, despite my naivete, and mostly thanks to Jim Coudal and Jason Fried, A List Apart began making money by running one carefully screened ad per page. I used that money, as you will expect, to pay our writers, editors, and producers. And when it came time to stop running ads, I slowed our publication schedule, paid writers out of my own pocket, and worked with a small crew of fellow volunteers, who published ALA because we believed in the mission. (Still do.)

If I had come of business age in San Francisco, I likely would have sold A List Apart to somebody like O’Reilly, but that was never my plan because I make toys to play with, not to give away.

An ecosystem apart

In spite of A List Apart’s running at a loss, in the early 2010s I co-founded two businesses that spun out of it: An Event Apart design conference with Eric Meyer, and A Book Apart with Mandy Brown (later replaced by CEO Katel LeDu) and Jason Santa Maria. And during those first years, business was great.

We published HTML5 For Web Designers the day after Steve Jobs, waving an iPhone on the world’s biggest stage (okay, sitting at his desk), announced that Flash was dead because HTML5 would bring app-like dynamism to the web using open standards instead of proprietary code. It (our first book, I mean) sold brilliantly. “Gee, publishing isn’t that hard” I naively told myself. (No, I knew it was hard. My favorite publishers had been laying off my favorite editors for ten years before my partners and I took the plunge. But the early success did make me think the books we published about web design would always find a large, eager audience. In time, I would learn otherwise.)

And while we began the publishing house by relying on the best writers we knew personally to write about the topics they were most passionate about, I’m proud to say that, as we went along, we also discovered brilliant first-time book authors, helping them create perfectly polished, fluff-free manuscripts that made genuine contributions to our readers’ understanding of UX and all it entails. (And not just to our readers. The insights they brought to their work after digesting our books rubbed off on their colleagues.)

In giving these brilliant writers a platform, we not only helped them take their careers to the next level, we also helped people who create web content think and work better, which in turn helped the people who used the websites, applications, and products our readers designed and built. Of that, I am proud.

Stay hungry

An Event Apart (RIP) was also a damned fine early success. Web designers liked our innovation of a multi-day, single-track conference, with a holistic approach to web design, code, and content, and unifying themes between the individual talks. Our freaking-amazing speakers debuted Huge Ideas including Mobile First and Responsive Web Design—ideas which, like perfect contextual menus in UX, arrived at the very moment designers needed them.

Not only that, but these humble geniuses also sat in the auditorium with our audience for all three days of each conference event: listening to each other’s presentations, and updating their own presentations to better bounce off each other’s ideas and the evolving themes of that particular show. 

I could spend hours telling you how our producer Toby M. made miracles happen at every show, or how person-in-charge Marci E. brought joy to our community. How many of our speakers became authors. How some “graduated” from An Event Apart as newcomers replaced them. How the diversity of our speaking line-up, which wasn’t terrific in 2008, improved greatly each year. (Not that we ever said, “We need another black speaker” or “We need a trans speaker” or what-have-you. Just that we learned to swim outside the pool we came from, and discover great talent everywhere.) Our speakers were also almost uniformly Just Nice Good People, which doesn’t always happen when you’re collecting the greatest minds in an industry. 

That’s not even to mention the incredible people who attended our shows, some of whom became lifetime friends for me.

So why, given the joy these businesses brought to everyone connected to them, including me, would my partners and I have even conceived of an exit strategy? We wanted the Good Times to roll on forever.

But of course they never do.

Things end

COVID did in An Event Apart. Some conferences survived, of course. Different priorities, different overheads, different business models. Some that survived do not pay their speakers. Others, where the conference is an adjunct to a bigger business, laid off or reassigned conference staff while the pandemic made live events impossible. Others that survived mostly rely on volunteer labor, whereas we had paid staff. They were worth their weight in platinum, and we’d have paid them more (because they were worth more) if the pandemic and six-figure hotel contracts hadn’t made continuing the show impossible. My partner and I earned nothing during the business’s last five years, and got personally stuck with a six-figure debt when the event closed. It is what it is.

Although books should be COVID-proof, multiple financial problems eventually beset our publishing house as well. For most of the run of the business, my partner and I earned nothing beyond the glow of contributing to our community’s knowledge. We paid our CEO, authors, and editors, kept nothing for ourselves, and tried, oh how we tried, to keep the business going as its revenues tanked.

Speaking only for myself, I’ve learned that I am good at starting businesses and keeping them going creatively, as long as somebody else figures out the money. I suck at that, and I’m obsessed with the notions of fairness and self-sacrifice that were drummed into me by a narcissistic family that valued me for taking on the roles they were emotionally incapable of handling—such as bringing up my baby brother in my father’s absence, which no child is  equipped or should be asked to do, and yet it happens all the time. Growing up this way made me put my own self-interest last. Which is also why it never occurred to me to plan an exit. And by the time I needed to do so, the businesses were not in shape to sell.

Closing a conference is bad, but attendees can go to other conferences, and speakers can speak at other conferences; closing a conference doesn’t end a community. It sucks for the business but doesn’t strand participants.

But closing a publishing house hurts like hell, and you feel you let everybody down. I know how much our closing hurt some of our authors, and I think about that, instead of the good we achieved, when I look back. 

No doubt when my partner and I write the large personal checks to cover our deceased business’s outstanding debts, we’ll be regretting the harm our closing caused, not basking in the warm glow of how many careers we changed for the better. Like the standup comedian who obsesses about the guy who’s frowning at table 3, and doesn’t hear the laughter of the rest of the crowd. We also, hopefully, won’t focus too closely on our financial wreckage. Just pay the bill, and move on.

Anyway, I hadn’t publicly addressed the endings of these businesses, so I figured it was time to do so. I’m sharing my experience only. If you ask any of the people I worked with on these projects, they might have a different story to tell. And that would be their story, and it would be every bit as valid as anything I’ve said here.

I also didn’t ask permission of my partners, speakers, or authors before sharing these thoughts. Probably I should have. But, hey. As I’ve said. I’m speaking here only for myself.

So, anyway.

Parting gift

Is it worth the risk of starting a web-related business that isn’t a venture-backed startup? I still think it is, and I applaud all who try. Heck, I might even do so myself someday. If you’re doubtful because of (((gestures at everything))), it might be worth noting that I started Happy Cog™ during the dot-com crash, when studios were closing all around me. And we launched A Book Apart during the world financial crisis of late 2008. Don’t let (((all this))) deter you from trying something bold. Let me know when you do. I’ll keep watching the skies.

P.S. Under swell third-party ownership and management, Happy Cog is still going strong. Check it out!

Categories
cities glamorous NYC

9/13/01

Reprinted from my original post of 9/13/01. You can still visit the original, if you wish, but the stylesheet disappeared during a server migration, so it’s plain text only.

11 September

My part of New York City is not burning.

An hour has passed since the Twin Towers evaporated with 20,000 souls inside them. Up here, a few miles north of the hit, a surreal calm prevails.

My part of New York City is unhurt, but changed. The Mayor moves fast. Third Avenue has been blockaded. On Lexington, teenagers with machine guns guard the 25th Street Armory.

On 27th Street, a couple is passionately kissing. Behind them, the sky is filled with white smoke.

Everyone has left work. It’s like the Fourth of July. And then again it’s nothing like the Fourth of July.

At 33rd & Lex, a woman in an electric green dress squats down to take a snapshot of the Chrysler Building, standing tall and unaffected to the north. I catch myself thinking they haven’t bombed that one yet.

It takes twice as long as it should to reach my destination. In my hand is an envelope filled with cash for a friend. It is one small, achievable mission on a day of fear and uncertainty. I leave the envelope with the doorman. Then I hug him. Then I go.

Multiply my story by nine million. All over New York, people are fulfilling small tasks, then returning home — if they have homes to go to. Battery Park has been evacuated. The entire downtown area is being blockaded.

As I pass a bodega, a radio perched among the fruits and flowers announces that 200 firemen are dead.

By the time I get home, I feel as if I have swum a great distance.

I can’t reach my brother or my father to tell them I’m alive. All long distance circuits are busy. All cell phones are dead.

Among other things, the air attack has taken out the antennae used by area broadcasters. The local TV news is only available on cable.

The news is running loops of the impact, loops of the implosions. Like everyone else, I watch, hoping to see or hear something that makes sense. But all I learn is that thousands of New Yorkers can die in an instant.

In the late afternoon, a third building collapses, taking out part of the power grid. My ISP stops authenticating. I lose Internet access.

At night we venture out again.

Third Avenue by Cabrini Hospital is still heavily guarded. We wait for permission to cross the street.

At the hospital, where we intended to donate blood, we are turned away. They’ve run out of blood bags.

We wander up to my partner’s apartment. She asks about my trip to San Francisco. I find I have little to say. Last week was last week. Last week we lived in an entirely different world.

The night sky is filled with smoke as fire continues to consume the financial capital of the world. There’s a hole in the cityscape. There’s a hole in the earth where the twin towers stood. There are living people trapped in the hole, beneath 110 floors worth of rubble and metal.

I lie awake all night.

12 September

The streets of lower Midtown are movie-set empty. I still can’t call London or Pittsburgh. I still have no Internet access.

They’re not letting anyone below 14th Street who isn’t supposed to be there.

I’m supposed to be a mile below 14th Street tonight to get a lease approved. I’ve been waiting for this meeting for four weeks.

I’m told to bring my lease and passport if I hope to make it past security – and to allow two hours for the short trip downtown.

I wonder if this is what life will be like now. Not only in New York, but all over America.

The TV news says the cloud that’s been floating over the city for 30 hours is filled with asbestos. The TV news says stay home and shut your windows.

I feel sick after crossing the street with a bag of laundry. The laundry man covers his mouth with his hand. The laundry man tells me go home, go home.

I cancel the lease approval meeting. I feel wrung out. I wonder if the source of my exhaustion is asbestos or grief.

Around 8 p.m., my building and dozens of others are evacuated in response to a bomb threat at the Empire State Building. The bomb threat proves false. Someone’s idea of a joke.

13 September

Strong winds are expected to push the asbestos cloud north over the entire East Side this afternoon, causing ocular and respiratory problems in much of Manhattan.

For the third day straight, when I try to reach my father in Pittsburgh I get a busy signal.

No one is permitted below 14th Street without picture I.D. and proof of residency. People cannot return to their homes.

Businesses below 14th Street have been shut down, including my ISP. Dial-up access is down because no one can get in to turn on the servers. DSL is down because two Verizon facilities were destroyed in the fire.

My damage is infinitesimal compared to the horrors of this week, but I find myself calculating it anyway: I can’t work, I can’t contact my people, and I can’t move.

I can’t just sit here, either, so I head out for a long walk through my city before the big winds kick up and make breathing hazardous.

We’ve all seen children on playgrounds glance up to reassure themselves that Mommy or Daddy is still close by. If you asked, I’d tell you I’m running errands and meeting with my business partner. But inside I’m really doing what any three-year-old would do. I’m reassuring myself that New York City is still here.

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art art direction creativity Design Designers experience Illustration industry New York City NYC people Portfolios Startups Stories Web Design

Looking Back, Looking Ahead: artist Dan Licht

Illustration by Dan Licht: a scary cowboy smoking a stogie and sloshing his drink. His eyes are red and he looks like he's itching for a fight.
Illustration by Dan Licht
Illustration by Dan Licht.

In 1999, I had the good fortune to work alongside Dan Licht at an NYC digital startup called SenseNet, RIP. Back then, although still in his early 20s, Dan was already an accomplished art director and digital designer. Today he’s a fantastic comics illustrator, artist, and creative director. Check his recent art on Instagram and his client work at Daniel V. Licht dot com.

A heroic letter carrier is pictured sending letters on their way in this illustration by Dan Licht. The picture has a great deal of energy, and the action is all flying toward you, the viewer.
“Protect the U.S. Postal Service,” a 2020 illustration by Dan Licht.
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My Night With Essl

Mike Essl and I discuss his portfolio.
Mike Essl and I discuss his portfolio on Night 2 of An Event Apart Online Together Fall Summit.

Herewith, a scene from last night’s interview with legendary web & book designer (and Dean of The Cooper Union School of Art) Mike Essl, who shared his portfolio, career highlights, early web design history, and more. Fun!

If you get a chance to meet, work with, or learn from Mike, take it. He’s brilliant, hilarious, warmly human, and one of the most creative people you’ll ever have the good fortune to know. 

Mike Essl

So ended Day 2 of An Event Apart Online Together Fall Summit 2021. Day 3 begins in less than two hours. You can still join us … or watch later On Demand.

Categories
family glamorous NYC

My Glamorous Life: Sunday Repairs

For about a week, now, my bedroom floor has been torn up due to under-floor flooding created by a malfunctioning window air conditioning unit.

The A/C unit began leaking during the summer months when I lay in bed with COVID-19, and, in my sickness, I initially did not notice the leakage. When I did notice, I was too sick to do anything about it, other than turn off the air conditioner. Summer in New York did not make that sustainable.

Months passed, I began to recover, and repair people began to work in people’s homes again as New York flattened the curve and began carefully easing restrictions. Six weeks ago, I hired an authorized air conditioning repairman to make a house call and check the air conditioning units. (There are three window units in the apartment; one leaked and all three were radically underperforming.)

I thought the fancy repairman had stopped my bedroom unit from leaking, and apparently so did he. On that basis, I authorized a floor repairman to rip up my bedroom floor and replace all the warped floorboards. It took me three weeks to get the floor guy to come here.

He came, he pulled up some of the floorboards, and he immediately stopped working. It was impossible to continue the repairs, he explained, because the under-floor was badly flooded. He asked why I had waited to so long to get him in. I told him I’d been trying to get him to come for three weeks.

So, anyway.

So, anyway, he ripped up more of the floor, then went away and told me to wait a few weeks for the under-floor to dry out.

A week passed. The water under the floorboards didn’t seem to be in any hurry to evaporate.

Then this morning I couldn’t open or close my bedroom door, because  the floor area near the bedroom’s entranceway had suddenly begun to buckle. By pulling with all my might, I was able to open the door, and I will have to leave my bedroom open until my floor is fixed.

Why was the leak spreading, I wondered. And then I noticed that the air conditioning unit had begun leaking again. There was a fresh pool of water on the floor beneath the unit that hadn’t been there last night.

So I called upon Damir, a porter-slash-handyman who works in the building. He’s exceedingly courteous and warm-hearted, happy to take on odd jobs, and remarkably competent at diagnosing and repairing the many things that can go wrong in an apartment.

(Be thankful I’m only boring you with this tale of the flood, and not listing the many other home repairs that have become necessary since around the time the quarantine began.)

Damir elevatored up to my apartment and immediately found the twin causes of the bedroom air conditioner leak. First, there is filthy gunk in the guts of the unit that prevents the water from draining. Second, because of the way it was first installed, the unit is angled forward into the room instead of tipped slightly backward. As a result, all that icy, backed-up water leaks down into my apartment instead of spilling harmlessly out the window and into the alley behind the building.

Over the months I was sick, enough water had quietly leaked into the room for all that cold wetness to find a weakness in the flooring—a point of entry—where the water secretly settled like a doom in the darkness under the floor.

Damir brought up a hand truck to lug the A/C unit down to the building’s basement, where he will hose out the guts of the machine. Then he will reinstall the machine and build a shim under it to tip it backward so future leaks go out the window. It looks like he may get everything finished by tonight.

While Damir was making ready to cart the A/C unit away, he emptied my vacuum cleaner and vacuumed up the bedroom. Meanwhile, I moved all the stored items (boxes, drinks, rocking horse) out of the hall that leads to the bedrooms, so there would be room for Damir to cart the huge air conditioner away. 

Damir and I were both wearing masks, of course, and in my post-COVID weakness, I found myself breathing heavily while I lugged the junk out of the hall.

Remember, several weeks ago, I paid several hundred dollars to an authorized air conditioner repairman who didn’t do any of the work Damir is doing and didn’t even notice the cause of the flooding or recognize that the flooding would continue. Damir, a building porter, would seem to be a better air conditioning repairman than the authorized air conditioning repairman was. 

If the work Damir does today finally stops the A/C from leaking into the apartment, then the next step, after the under-floor dries out, will be for the floor guy to finish pulling up all the floorboards, replacing them with new ones, and buffing and enameling everything to turn those planks into a floor.

The hardwood floors are one of the most beautiful things about this apartment; I hope, some months from now, some semblance of what they used to be will be restored. Although at this point, I’d probably settle for ugly linoleum and the ability to shut and open my bedroom door.

Update: 60 minutes later…

Damir cleaned and reinstalled the bedroom A/C, mopped up a lot of the flood water on my bedroom floor, built a shim to tilt back the window unit after installing it, and checked 60 minutes later to be sure it wasn’t leaking. (It isn’t.)

He also cleaned the filters in the living room unit and Ava’s bedroom. I thought I had cleaned them but I did a poor job. Two words: cat hair. It gets stuck in all the units, causing them to malfunction. Basically, Snow White + my poor home upkeep skills + five months with COVID-19, not really paying attention to what was happening in my apartment, led to all this.

Thank goodness for Damir.

(I tipped him very well; that’s my job.)

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family glamorous NYC

Day in the Life

The chiming of my iPhone woke me from an afternoon of profound sleep marked by a long, unsettling dream involving basements. I’d taken to bed out of equal parts respect for my own exhaustion and the desire to escape a particularly pungent headache. Both are symptoms of my endless post-COVID-19 “recovery” period. It’s a virus that hangs on like an unrequited lover, and a disease that can leave you weak and debilitated for months—or longer. But we don’t think about “longer” yet, as I’ve only been sick for three and a half months.

Before the afternoon sick bed, I’d been working quite happily and even productively, until—wham!—a wall of symptoms smacked me in the head, and I had no choice but to listen and obey. On my way to bed, I just managed to feed my COVID-sick child, who is bound to her bed all day every day except for the early afternoon brunch and early evening dinner.

After the afternoon sleep—after the phone ripped me from the sinister architecture and unworthy companions of my dream, and while my heart was still pounding from a shocking sudden change of realities—I hurriedly tugged on gloves and a paper face mask, shoved my feet into still-tied shoes, threw open the door and hurried down the hall to the elevator bank, to meet a rolling hotel cart filled with newly delivered groceries that was on its way up to me.

(Bledar, the doorman on duty in my apartment building, had kindly accepted a Fresh Direct delivery on my behalf, stacked the bags on the building’s hotel cart, phoned me, waited 60 seconds ((to give me time to mask up and scramble down the hall)), and then rolled the cart into an elevator into which he’d punched my floor number. This is how we do it in this building.)

I rolled the packages to my door, packed them into the apartment, sent the cart downstairs again, unmasked, fed Snow White her afternoon meal, washed my hands, and put the groceries away. Then I had to sit down. What time is it? What day is it? When will I be well again? When will my child be well?


Photo by Malik Shibly on Unsplash

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Eight line poem.

May 9. Snowing in New York. Wearing face masks, two men stand on a balcony of the Chinese Mission to the UN, photographing the snowfall with their phones. I try to photograph them and the snow, but they are already leaving the balcony, and my phone autofocuses on the window screen.

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family glamorous NYC

The world we return to

I’ve had Coronavirus for five weeks. My daughter has it, now, too. Her mom’s had it for weeks, but only recently recognized it for what it is. It sneaks up on you, disguised as a persistent headache, a seasonal allergy, some other unpleasant but harmless annoyance—until you can’t stand at the sink washing dishes for five minutes without immediately needing to lie down and catch your breath. Then you know.

It’s not just here in New York. A dear family member who lives far away (and who also has an underlying health condition) has come down with it. I think of them with hope, terror, denial, panic. We ping each other. You still there?

Some things are getting better.

For four weeks I could not get a grocery delivery slot from Fresh Direct, no matter what time of day or night I tried. This week I finally secured one. Four weeks ago I could not get Tylenol for love of money. This week I was finally able to order some—and it arrived today.

The grocery delivery slot means more workers are available, fewer are out sick. The arrival of the Tylenol (actually a generic Acetaminophen—you still can’t get branded Tylenol) suggests that supply chains and delivery chains may be doing a little better than they were during the first four weeks of the crisis. (By which I mean the first four weeks of March, even though the crisis was actually upon us in January—but we civilians didn’t know it.)

It’s a rotten disease.

This morning I woke at 5:00 AM. Ingested two espressos and a bowl of cereal and immediately went back to sleep. My daughter woke me at 11:00. She was sick but sort of hungry, so I got up and threw together a breakfast. We watched TV. I worked for an hour while she slept. Then I went back to sleep. That one hour of work took everything out of me.

It’s a rotten disease. You’re well enough not to need hospitalization, but too weak to do anything useful.

An adventure!

At 6:30 PM the kid woke me again. She was weak and exhausted and craving a sweet.

I got out of bed, threw on mask and gloves, and ventured out of my apartment for the first time in about a week. Picked up Oreos for the kid at the little deli across the street.

Then I visited my postal mailbox for the first time in over a week. It was flooded with junk. Nothing stops junk mail. Not signing “do not deliver” lists and opt-out lists (but of course junk mailers ignore those). And apparently not even Coronavirus can stem the junk-mail tide. The mechanisms of our dysfunction outlive us. Somewhere, surely, there’s a postal worker who contracted a fatal case of the virus while delivering junk mail to a dead woman.

Forgive me, I came hoping to spread cheer. Oh, well.

I’m grateful. Most people who die of this thing die right away. We lucky ones who survive just feel rotten for weeks. Rotten beats dead. The longer my kid feels sick, the safer I’ll feel about about her prognosis.

Rotten beats dead, but it’s still rotten. I wish those for whom this whole thing is an abstraction could see what I see and feel what I feel. The tragic unthinkable horror in the newspaper is the tip of this iceberg. Recovery is going to be long and hard and sad. The world we return to will be different.

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family glamorous NYC

Going viral

Finishing Week 4 with Coronavirus, heading into Week 5. I’m home—haven’t needed to go to the hospital, thank God—and my fever petered out last week. So all that’s left are cold and cough symptoms and a totally debilitating complete lack of energy. Oh, and lower back pain: a bad cough threw one side of my back out, and lying in bed 18 hours a day somehow hasn’t unkinked it. Go figure.

I’m lucky.

I’m recovering. Slowly and unmeasurably but pretty definitely. Sitting at a desk to type these thoughts is something I can do today. Last week, not so much.

So lucky. My daughter is with me and, for the first time in over ten years, I have family in the building. We have enough food. Sure, it’s mostly lentils and pasta, but I know at least two delicious ways of serving those staples. And despite low energy, I still cook. It’s what I do now: sleep and cook.

The doctor who diagnosed me couldn’t test me.

There aren’t enough tests, but you read the papers, you know that. But my symptoms told the tale. I don’t know if he reported me as a case. So much data that could save lives isn’t being recorded because, well, you know why.

I reported myself to my company and our team (who are incredibly, brilliantly supportive), and to the MFA program where I teach one day a week, and, of course, to my wonderfully stalwart conference team. So many cases will not be diagnosed or reported. So many will spread the disease without knowing. So many will die and we (as a people) won’t be sure what took them.

I live in a hospital zone in Manhattan.

There have been morgue trucks on my block for weeks. I don’t look out that window much.

I’m lucky. I’m insured. I live in a safe neighborhood. And…

I’m white.

Not everybody thinks so, and it’s not a club I’m particularly proud to belong to anyway, but it’s still conferred massive privileges on me all my life. Some of which I recognized as a child. Some of which I’m still blind to. The point is, the people the virus is hurting the most are not white. Which is one reason the white people in charge have been slow to take it seriously.

But I get to stay home. I’ll get to work remotely, when I’m well enough to start working again. Privilege and dumb luck. Life and death.

I’m undeservedly fortunate and I’m thankful. To my colleagues, doing my work while I rest. To the medical professionals who live in this building and work in the hospitals around the corner. To the workers who toil in this building and haven’t the luxury to shelter in place. And to you who’ve been texting and emailing and DMing well wishes. Thank you. It helps.

Stay safe, stay strong, and be kind.

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A Space Apart business Design New York City NYC Products studio.zeldman zeldman.com

Buy a piece of studio.zeldman

Jessica Hische enjoys the ball chair at A Space Apart.

We’ve got some exciting news to share. Web and interaction design studio.zeldman is moving, from our digs at 148 Madison Avenue to a new location on Fifth Avenue. As of June 1, we’ll be designing, creating, and consulting out of our beautiful new studio space at The Yard: Flatiron North.

Closing our co-working design studio

This means we’re closing A Space Apart, the Madison Avenue co-working design studio we opened in January, 2012. A Space Apart was a fun experiment, and we loved learning from the design studios, product companies, publications and startups with whom we shared it. Companies like Font Bureau, Monkey Do, Shopify Partners, Danilo Black, Been (RIP), Promedia, Byte Dept, Nick Sherman, Fred Gates Design, Wayward Wild and The Great Discontent and have all shared our water cooler at one time or another during the whirligig of the past five years. Creatively, it’s been amazing.

But we’re tired of playing landlord. Instead of debugging the internet router, tending to the recycling, hiring HVAC repair people, and seeking suitable replacement studio mates when a company moves out, we’d rather spend our time solving our clients’ design problems and making cool stuff like A List Apart, A Book Apart, The Big Web Show, and An Event Apart. And The Yard’s the perfect place for us to ply our trade and make our goods. (Plus we still get to rub shoulders with other creative business folk.)

We can’t take it with us: furnish your office with our stuff!

Running a co-working studio space meant buying a lot of furniture and equipment. Beautiful stuff, still in great condition. Elegant stuff, because we’re designers. Stuff we won’t need any more, now that we’re moving to new digs where somebody else does landlord duty. So we’re selling it, for a lot less than we paid. And that’s where (maybe) you come in.

Most everything must go, including our famous Eero Aarnio (style) ball chair (if its red cushions could talk!), custom Bo Concept shelving, Eames Desk Units from Design Within Reach, Herman Miller Aeron chairs (ditto), midcentury tulip table and side chairs, black glass desks, Nespresso espresso maker, file cabinets, icemaker, microwave oven, see-through glass mini-fridge, and more. These are beautiful things that inspire good design, and they deserve good homes.

View all our goods and prices—and even order the ones you want!—via this lovely WebVR Walk-through prepared by our own Roland Dubois. (If you’re not into the whole WebVR thing, you can also just browse our store at Apartment Therapy. The VR experience also links directly to the store items, so you’re good either way.)

We leave May 31, and these goods are first-come, first-served, so don’t wait too long. Grab your piece of web and interaction design history today.

?  Also published at Medium

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A Space Apart Design industry Mentoring NYC Web Design Zeldman

Sharing is Caring: the Shopify Partner Studio Program

NYC Photo

THE INTERNET, as we all know, makes it possible to work from anywhere. Back in 1999, I started Happy Cog studio from a desk in my bedroom. I shouldn’t even call it a desk. It was a door on top of two filing cabinets. But that, a Mac, and an internet connection were enough to launch my web design business.

But creative people thrive by rubbing shoulders with other creative people, which is why I opened a studio as soon as the business I was doing justified the expense.

It’s no secret that coworking spaces have exploded in the past five to ten years, and the communal setting they offer helps freelancers, remote workers, and other independent professionals work better and more happily. But, as good as coworking spaces are, I believe designers and developers do even better in a shared studio where the same talented folks come in day after day, sitting at the same desks every day. That’s why I opened A Space Apart in 2012, and it’s why I’m delighted to open my studio to the Shopify Partner Studio Program.

If you’re a qualifying designer or developer just starting your career, we want you here. Besides rubbing shoulders with each other, and with some of the smartest designers and developers I know, you’ll gain mentorship experience from Shopify execs, web design/development industry icons, and me. (Never fear, I’ll learn more from you than you will from me.)

So kickstart your freelance business with free office space and mentorship from Shopify and me. If you haven’t already done so, apply now!

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A Book Apart content content strategy Design New York City NYC Publications Publisher's Note Publishing Responsive Web Design The Essentials The Profession Web Design Web Design History Web Standards

Responsive times two: essential new books from Ethan Marcotte & Karen McGrane

Responsive Design times two! New books from the geniuses, Ethan Marcotte and Karen McGrane.

IT WAS the early 2000s. The smoke from 9/11 was still poisoning my New York.

Karen McGrane was a brilliant young consultant who had built the IA practice at Razorfish while still in her early 20s, and was collaborating with my (now ex-)wife on some large, exciting projects for The New York Public Library. Ethan Marcotte was a Dreadlocks-hat-sporting kid I’d met in Cambridge through Dan Cederholm, with whom he sometimes collaborated on tricky, standards-based site designs. The first edition of my Designing With Web Standards was in the can. I figured that, like my previous book, it would sell about 10,000 copies and then vanish along with all the other forgotten web design books.

Nothing happened as I expected it to. The only thing I got right besides web standards was the desire to some day work with Karen, Ethan, and Dan—three dreams that, in different ways, eventually all came true. But nothing, not even the incredible experience of working with these luminaries, could have prepared me for the effect Ethan and Karen and Dan would have on our industry. Even less could I have guessed back then the announcement it’s my pleasure to make today:

Ethan Marcotte’s Responsive Design: Patterns and Principles and Karen McGrane’s Going Responsive are now available in our A Book Apart store.

It was thrilling to bring you Ethan and Karen’s first industry-changing A Book Apart books. Being allowed to bring you a second set of absolutely essential works on responsive design from these two great minds is a gift no publisher deserves, and for which I am truly grateful.

Building on the concepts in his groundbreaking Responsive Web Design, Ethan now guides you through developing and using design patterns so you can let your responsive layout reach more devices (and people) than ever before.

Karen McGrane effortlessly defined the principles of Content Strategy for Mobile. She’s helped dozens of teams effectively navigate responsive projects, from making the case to successful launch. Now, she pulls it all together to help you go responsive—wherever you are in the process.

Ebooks are available immediately and paperbacks ship next week. Buy Responsive Design: Patterns and Principles and Going Responsive together and save 15%! (Learn more.)