Categories
An Event Apart Design events industry people Standards

Eric Meyer, 1:00 a.m.

…As the cover band upstairs kicks off its fourth set. Good times. The Boston Marriott Copley Place lobby, Saturday March 24, 2007. An Event Apart Boston begins Monday March 26th.


[tags]aneventapart, aneventapartboston, ericmeyer[/tags]

Categories
business Community industry Publishing

Web 2.0 Buyouts: Butchers vs. Farmers

As Web 2.0 Buying Season winds down, it is pleasant to consider what was different about it. This time, for the most part, the buyers have been farmers, not butchers. They bought to nurture, not to kill.

The merger years

Before the web, I worked in advertising. I survived the Merger Years. Charles and Maurice Saatchi, the art collectors, were among several groups scooping up ad agencies as investments. Not infrequently, incompatible shops were jammed together to see what stuck. My first New York ad job was at one of these misbegotten unions; I started on the very day more than half the staff got canned as a direct result of the merger.

The new owners had performed unholy matrimony, forcing a dewy-eyed little shop in Minneapolis to love and cherish a dull, aging cash cow in New York. They probably imagined that the cold New York joint would warm to the creative touch of its young spouse, while the Minneapolis branch would somehow grow as lucrative as the boring but high-earning Gotham shop. It wasn’t meant to be. Clients ran screaming; staff were kicked out after them.

Behind the iron doors

“Oh, boy, my first New York job!” I said aloud as I approached the iron doors.

I walked into a tragedy. Women wept, carrying boxes. Ashen-faced middle-aged copywriters with bad portfolios—parents of young children—suddenly realized that they were unemployable.

The floor on which I was to work was being frantically redecorated to match the corporate colors of Minneapolis as almost everyone who worked there was laid off within a space of hours. “Pardon Our Appearance, We Are Redecorating” proclaimed a happy illustrated painter on a large sign. His was the only grin to be seen. Someone eventually drew an executioner’s hood over the happy painter’s head, and replaced his brush with an axe. Okay, that was me.

Over the next few years, the Saatchis brought in one brilliant outside creative director after another to try to make the merger work. I learned from all of them. The place was great for me in that way. It was also a fine source of drinking buddies. Almost nobody could handle the daily surrealism sober.

I worked at other places over the years. The great ones were small and created their own cultures. The not-so-great ones had almost always been good until they got too big.

Web for sale

Years later, I was a web designer doing independent content on the side. Some of my friends were also doing independent content. Some of them sold their sites to corporate buyers.

I was glad to see creative people get a paycheck, but suspicious because of what I had seen of mergers in my previous career. I feared that the buyers might not understand what they had bought, and might try to make it something it was not. And that indeed is what happened, every time.

Stay cool

In one instance, a married couple and their friend built up one of the first great educational sites for web developers. Everybody who knew the acronym HTML read this site in the mid- to late 1990s. It was informative, opinionated, and leading-edge. The writers were front-line web developers. They weren’t just ahead of the curve, they were helping to shape it. And they weren’t just technology writers, they were personalities. Huge personalities.

They also knew how to keep readers coming back, and and how to turn readers into a community. One way they did both these things was by honoring a different website every weekday. Hundreds of thousands of web professionals tuned in Monday through Friday to find out what site was being put forward as cool, and to argue passionately about whether it deserved such kudos.

It all changed the moment a traditional publisher bought the site, for what, by later standards, was surely a mere chest of shells and beads.

Out went the big personalities. (Literally. The founders were so frustrated, they soon quit.) Front-end web development articles focused on sponsoring companies’ technologies instead of JavaScript, CSS, and HTML, and were written with anonymous professionalism instead of character. The site’s point of view disappeared, and with it, so did most people’s interest in reading it. The daily cool site became a random shot over the bow instead of demonstrating a philosophy about emerging web content. At times one suspected the daily site was picked because of some back-room deal or misbegotten partnership arrangement.

What the publishers got for their investment, after destroying everything else about it, was residual search engine juice. Maybe that was enough for them.

Fortunately, the new buyers want more.

Born to run

When a famous old-school stock photography concern bought iStockphoto, some of us feared that it spelled the end for that independent photo community. Not so. iStockphoto is still iStockphoto, only now it has money. Likewise, Yahoo! bought flickr as flickr—not as a list of users to exploit or a URL to slap ads on. It bought del.icio.us as del.icio.us; all the purchase did (besides generate paychecks) was integrate the social bookmarking tool into other Yahoo! properties (like flickr). Similarly, Dodgeball is still Dodgeball despite its purchase by Google.

One could list these buyouts all day, but it would soon grow tedious. The point is, buyers now buy to own, not to run (and ruin).

Are today’s buyers smarter? Or are they just too busy to meddle? What do you think?

[tags]web2.0, buyouts, mergers, saatchi[/tags]

Categories
Design development Happy Cog™ work

Happy Cog Philadelphia is Hiring

Fresh on the Job Board:

Happy Cog Philadelphia is looking for an experienced freelance front-end (presentation layer) developer with strong design sensibilities. You must live and breathe semantic XHTML and CSS and understand how design and layout decisions manifest themselves in the world of markup. It helps if you’ve worked with Content Management Systems like EllisLab’s ExpressionEngine and can integrate templates within this environment. You must be in the Philadelphia area and be able to work with us on site. Details are available on the Job Board posting.

[tags]happycog, hiring, webdesign, markup, css, expressionengine[/tags]

Categories
An Event Apart Design events Seattle

Tickets now available for AEA Seattle 2007

Limited seating is now available for An Event Apart Seattle 2007, June 21–22, at Bell Harbor International Conference Center on breathtaking Puget Sound. Spend two days with leading designers, developers, and accessibility experts including (in alphabetical order) …

  • Tim Bray, father of XML, director of web technologies at Sun Microsystems, and Tim Berners-Lee W3C appointee;
  • Andy Budd, user experience lead at Clearleft, co-founder of d.Construct, and author of CSS Mastery: Advanced Web Standards Solutions;
  • Mike Davidson, founder and CEO of Newsvine, former art director and manager of media product development for ESPN and the Walt Disney Internet Group;
  • Shawn Henry, director of education outreach for W3C Web Accessibility Initiative (WAI), research appointee at the MIT Computer Science and Artificial Intelligence Laboratory, and author of Just Ask: Integrating Accessibility Throughout Design;
  • Shaun Inman, award-winning designer and developer, inventor of Inman Flash Replacement and the curiously successful stats package Mint;
  • Jeffrey Veen, designer manager at Google, founding partner of Adaptive Path, and W3C invited expert on CSS before most of us knew the acronym;
  • Khoi Vinh, design director at NYTimes.com, author of Subtraction.com, and former partner at Behavior LLC;

… Plus Jason Santa Maria, Eric Meyer, and little me.

A complete schedule is available for your perusal. The two days of design, code, and best practices, including lunch on both days and parties on both nights, go for $795 (reg. $895) if you register by May 21, 2007.

An Event Apart Seattle 2007 will be our only show in the northwest this year. Seating is limited to 300 attendees and will sell out fast, so nudge that bean counter and come join us!

[tags]aneventapart, seattle[/tags]

Categories
Community Design events Ideas SXSW

Independent content is the new web app

Attending SXSW Interactive not only tunes us in to web trends and ideas we may have missed, it also makes clear where we are in the life cycle of developments with which we are familiar. Thus in 2001, if you weren’t already aware of it, a quick scan of panels and parties made it manifestly obvious that blogging had peaked. The spread of web standards was the previous year’s meme: practically everyone I met in 2000 apologized that their blog didn’t validate “yet.”

Two years ago, everyone I talked to at SXSW Interactive asked what app I was working on. I felt painfully unhip to still be doing content and design—like I’d shown up for a punk gig in disco drag.

But times change. Even the quickest scan of this year’s parties and sponsors made it obvious (if it wasn’t already) that the Web 2.0 “get bought” window is closing fast. If your tag management app isn’t out of alpha by next week, don’t bother—unless you actually wanted to create a tag management app, and weren’t building it to finance a Sean John lifestyle.

I came away this year with two impressions:

  1. Possibly because “Web 2.0” has pumped money into the field, people care about the craft again.
  2. Web 1.0 is the new Web 2.0.

As the second point is more interesting, I’ll focus on it.

SWSX Interactive is about zeitgeist, and what’s on people’s business cards can tell you as much about the industry as what’s being discussed on the panels. Last year people’s business cards told you that AOL, Google, Apple and Yahoo were hiring everyone with a nice blog, a SXSW panel, and an A List Apart article to their credit. This year’s business cards are about (drumroll) content.

The kind of content we used to create on personal/independent sites like {fray} and afterdinner.com, many of us are creating again (not that we ever stopped). But this time, we are creating it at the behest of companies like AOL, Google, and Yahoo.

Ficlets, for example, is a collaborative fiction site put together by Cindy Li and her colleagues. It’s awesomely cool. But instead of being something Cindy and her colleagues do at night, after their day job, Ficlets is their day job. And it’s not a long-shot day job at an underfunded startup. It’s a day job at America On-Line (and the content is part of the AIM.com network).

Not long ago, giants like AOL were buying startups like Brian Alvey and Jason Calacanis’s Weblogs Inc. network. That was smart. Now the giants are creating their own startups and networks. That’s also smart, and it’s doubtless more cost-efficient than hunting and buying.

What is the trend? First, big companies (excluding AOL) ignored the web. Then they hired professionals who didn’t understand the web to design their sites and other professionals who didn’t understand the web to create their content. Last year, or maybe two years ago, these companies began hiring smart, experienced web designers who understand usability and web standards. Now they are hiring smart, experienced web content creators. Web 1.0 is the new Web 2.0. Long live Web 3.0.

[tags]sxsw, sxswi, web1.0, web2.0, independentcontent, webdesign, aol, google[/tags]

Categories
A List Apart Design events Happy Cog™ people Publishing SXSW

A List Apart dinner at SXSW

25 A List Apart staffers, Happy Cogs, and friends broke bread (well, more accurately, we broke spring rolls) at Mekong River Restaurant in Austin, Texas. Here Peter is seen making sweet love to his noodles. Missing, and missed: Dan Benjamin, Krista Stevens, Erin Lynch, Andrew Fernandez, Tanya Rabourn, and Andrew Kirkpatrick.

[tags]sxsw, sxswsi, sxsw2007, alistapart, happycog[/tags]

Categories
A List Apart events Happy Cog™ SXSW

Austin Power

As snow falls prettily on the island of Manhattan, Mrs Zeldman and I prepare for our annual junket to sun-baked, star-studded Austin, Texas, accompanied by the keynote speaker of 2025 and cradling the blessed StarTAC. Most of Happy Cog and the A List Apart staff will be there as well, many with speaking roles. Here are a few panels I found (with more to come):

Writing, Better

Ballroom F
Saturday, March 10th
10:00 am – 11:00 am (same time as “A Decade of Style,” below)

If content is king, why don’t designers talk about it? Panelists will discuss what makes for good writing, what each person does to keep fit with verbs and vowels, and what the future might hold for the written word in a world that is being inundated with podcasts and video.

Moderator: Greg Storey

Greg Storey Principal/Creative Dir, Airbag Industries LLC
Bronwyn Jones Mktg Comms, Apple Computer
Erin Kissane Editor, Happy Cog
Ethan Marcotte Vertua Studios

A Decade of Style

Room 19AB
Saturday, March 10th
10:00 am – 11:00 am (same time as “Writing, Better,” above)

A small group of grizzled veterans reflects on a decade of successes, triumphs, failures, disappointments, reversals of fortune, and just plain fun in the world of CSS and web design.

Moderator: Eric Meyer

Molly Holzschlag Pres, Molly.com Inc
Eric Meyer Principal, Complex Spiral Consulting
Chris Wilson IE Platform Architect, Microsoft
Douglas Bowman Visual Design Lead, Google

After the Brief: A Field Guide to Design Inspiration

Room 18ABCD
Saturday, March 10th
11:30 am – 12:30 pm

You’ve received the creative brief; now what? Learn how to draw creative inspiration for your web design projects from a number of likely and unlikely sources.

Moderator: Jason Santa Maria

Jason Santa Maria Creative Dir, Happy Cog Studios
Cameron Moll cameronmoll.com
Rob Weychert Art Dir, Happy Cog Studios

Ruining the User Experience: When JavaScript and Ajax Go Bad

Room 18ABCD
Saturday, March 10th
4:05 pm – 4:30 pm

With the exploding popularity of DOM Scripting, Ajax and JavaScript in general, it’s important to know what to do—and what not to do—when dealing with these technologies.This session will walk you through several real-world examples, pointing out common mistakes that hinder usability, accessibility, and searchwhile teaching you ways to avoid them altogether, either programmatically or simply by altering the way you think about JavaScript-based interactivity.

Aaron Gustafson Sr Web designer/Developer, Easy! Designs LLC
Sarah Nelson Design Strategist, Adaptive Path

Book Signing

SUNDAY, MARCH 11
3:00 pm

I’ll be signing Designing With Web Standards, 2nd Edition in the SXSW Bookstore, located in the Trade Show + Exhibition.

Robert Hoekman Jr. Designing the Obvious
Jeffrey Zeldman Designing With Web Standards, 2nd Edition
Brendan Dawes Analog In, Digital Out
Phil Torrone MAKE Magazine
John Jantsch Duct Tape Marketing-The World’s Most Practical Small Business Marketing Guide
Marrit Ingman Inconsolable: How I Threw My Mental Health Out With the Diapers
Gina Trapani Lifehacker: 88 Tech Tips
Elliot McGucken Own the Risk: The 45Surf.com Guide to Hero’s Journey Entrepreneurship

Get Unstuck: Moving From 1.0 to 2.0

Room 18ABCD
Monday, March 12th
10:00 am – 11:00 am

Is your team mired in the goo and muck of old-school thinking? Are your designers and developers divided on their approach and about to throw in the towel? This panel features formerly stuck experts as well as those who have helped clients get out of the muck.

Moderator: Liz Danzico

Liz Danzico Director, experience strategy, Daylife
Kristian Bengtsson Creative Dir, FutureLab
Chris Messina Co-founder, Citizen Agency
Luke Wroblewski Principal Designer, Yahoo!
Jeffrey Zeldman Founder and Executive Creative Director, Happy Cog

Preserving our Digital Legacy and the Individual Collector

Room 8ABC
Tuesday, March 13th
11:30 am – 12:30 pm

Many great art, book and manuscript collections survive because an individual had the foresight or good luck to save the good stuff. Libraries and museums owe a debt to individual dealers, collectors and packrats for saving illustrated Czarist plate books from the Soviets, and WWII letters from the trash-heap. Who are today’s collectors? What are they preserving? How will they manage fragile born-digital collections long enough share with future generations?

Moderator: Carrie Bickner (aka Mrs Zeldman)

Carrie Bickner, Director of Education Outreach, The New York Public Library
Josh Greenberg Assoc Dir Research Projects, Center for History & New Media
William Stingone Curator of Manuscripts, The New York Public Library
Megan Winget Professor, UT at Austin

[tags]sxsw, sxswi, austin, texas, mrszeldman, alistapart, happycog[/tags]

Categories
Design Happy Cog™ Redesigns work

Happy Cog redesigns AIGA

If you develop green technologies, you dream of selling your idea to Al Gore. If you run a design agency, you fantasize about winning AIGA as a client. Originally founded as the American Institute of Graphic Arts, AIGA sets the agenda for design as a profession, an art, and a political and cultural phenomenon. In the world of design, at least in the U.S., there is nothing higher.

When AIGA approached Happy Cog to redesign their site, we figured we had no chance at all. With nothing to lose, we spoke bluntly.

We told them they had fifteen years of great content that nobody could find. We suggested that an emerging class of designers who needed what AIGA had to offer did not know AIGA and could not connect with its web presence. The site could do more, and had to do more, to reach these users. We said AIGA’s site above all others should make brilliant use of typography. It should be a joy to read—and it was not.

I reckoned AIGA would hire a more obviously design-focused shop. “Designy design” agencies is how I think of such places, and I mean no disrespect by it. AIGA would, I figured, shrug off our fairly harsh words and choose someone more agreeable. Instead, they hired us.

Months of intense collaboration later, Happy Cog’s redesign of AIGA has launched. We junked the old structure, flattened the hierarchy, and surfaced the content. We gave the site’s years of brilliant writing by the likes of Ellen Lupton and Steven Heller an appropriately readable home—one that demonstrates what web typography can achieve.

And to make the site as inspirational as it is educational, we introduced a second narrative to the user experience: dynamically chosen selections from AIGA’s design archives visually intrude at the top of every page, inviting designers to dive into the archives whenever they seek refreshment.

AIGA’s Ric Grefé, Denise Wood, Liz Danzico, and Kelly McLaughlin guided us throughout the process. They are brilliant collaborators. Chicago’s Thirdwave created the robust and sophisticated back-end architecture required to support our detailed and unusual design requirements.

Thousands of pages of old content, none of it semantically marked up, and none of it structured to match our new requirements, have been fairly seamlessly integrated into the new design. Naturally there are still some bugs (not to mention validation hiccups) to work out. AIGA, Thirdwave, and Happy Cog will be working to patch these little bumps in the days ahead.

I creative directed the project, but its quality is purely due to the incredible team that worked on it:

More information is available at Happy Cog and on Jason’s and Dan’s sites. Better still, just dive into the new AIGA.org.

[tags]aiga, design, redesigns, webdesign, happycog[/tags]

Categories
Accessibility An Event Apart Design development events

An Event Apart Boston sells out

They say agile developers don’t have time for user-centered design. They say web standards and accessibility don’t matter to real-world sites. They say usability is a luxury, good graphic design doesn’t matter, and writing is just something you dump into a template. They are the message board grumblers, the mini-pundits and rainmakers on other people’s parades.

Their view of what matters on the web might be right. But nobody bothered to tell the five hundred-plus designers and developers who have signed up for An Event Apart Boston. The show has now sold out, and the waiting list is a yard long.

The surprisingly robust interest in this event is surely because of our extraordinary speakers. I also see it as evidence that, whatever the nay-sayers may take comfort in believing, the fact is that many people who make websites actually love their users. They love them enough to constantly work at perfecting their craft. They want their markup to support their content, their content to meet their users’ needs, and their design to facilitate that fulfillment.

That’s what your work is about. And mine, too. It’s what motivates every issue of A List Apart, even if not every issue hits the mark. And, now more than ever, it is what we hope to bring to the stage during two days of design and code in Boston’s beautiful Back Bay. To all who are coming, thank you, and let’s rock.

[tags]aneventapart, boston, design, webdesign[/tags]

Categories
Design Flash Happy Cog™ Standards Tools

swfIR (swf Image Replacement)

Happy Cog’s Jon Aldinger, Mark Huot, and Dan Mall have published an image replacement method to remove some of the limitations of the standard HTML image object while supporting standards-based design concepts.

Using unobtrusive JavaScript, progressive enhancement, and Flash, swfIR (pronounced “swiffer”) lets designers include high-quality, scalable artwork in user-resizable web layouts—and even add styles to the images.

[tags]swfIR, imagereplacement, design, webdesign, webstandards, flash[/tags]

Categories
A List Apart Design Flash Standards Tools

ALA 233: Semantic Flash, Valid Arguments

In Issue 233 of A List Apart, for people who make websites:

Semantic Flash: Slippery When Wet
The love that dare not speak its name gets its due as Happy Cog’s Dan Mall explores some of the ways Flash can enhance semantic, standards-based site designs. Part One of a series. Includes do-it-yourself, “shiny floor” project built with web standards and, yes, Flash (there, we said it).
Where Our Standards Went Wrong
No, they didn’t go wrong by using Flash. A List Apart’s Ethan Marcotte weighs the pros and cons of rigorous validation. Re-examine your assumptions. Discover the silent weight of invalid markup. Consider how to better educate clients on the benefits of web standards.

This issue goes out to our friends at SXSW Interactive.

Edited by Erin Kissane. Produced by Erin Lynch. Tech-edited by Aaron Gustafson and Ethan Marcotte (is that fair?). Illustrated by Kevin Cornell. Art directed by Jason Santa Maria. Published by Happy Cog. It’s shake and bake and I helped.

[tags]webstandards, flash, design, webdesign, alistapart, validation, ethanmarcotte, danmall, danielmall[/tags]

Categories
An Event Apart Design Diversity industry people war, peace, and justice

Gender and ethnic imbalance in web design

Gender and ethnic imbalance in web design speaker conference lineups reflects a wider such imbalance in the industry as a whole. This imbalance bothers me as much as it bothers Kottke. I am glad Kottke raised the issue in his recent post, although I think it is a mistake to hold conferences accountable for deeper problems in the industry they serve. But that doesn’t for a minute get conference planners off the hook.

The problem is visible at the top because it exists at the bottom. There are barriers to entering the field and barriers to doing well in it. Some of these barriers are economic: not everyone has access to needed tools and training. We are interested in systematic and permanent change in the field, not merely the appearance of change as represented in a conference speaker lineup. Soon we will announce real steps to put these concerns into action.

Categories
An Event Apart cities Design Seattle

An Event Apart Seattle 2007

Announcing An Event Apart Seattle 2007, June 21st–22nd, at Bell Harbor International Conference Center, situated smack dab on the waterfront of picturesque Puget Sound in Seattle, WA, USA.

Learn from Tim Bray, father of XML; Google’s Jeff Veen; designer Andy Budd of Clearleft; Khoi Vinh, design director at NYTimes.com and author of subtraction.com; Shawn Lawton Henry of the Web Accessibility Initiative (WAI); Mint creator Shaun Inman; Newsvine CEO/ESPN redesigner Mike Davidson; and messieurs Jason Santa Maria, Eric Meyer, and me.

Tickets for the two-day event, including meals, goodies, and a party, are $795 (until May 21st). Seating is limited, first-come, first-served; registration opens March 15th. Details are available at aneventapart.com.

[tags]design, webdesign, aneventapart, seattle[/tags]

Categories
business Design events fashion Happy Cog™ Philadelphia Redesigns work

Happy Cog redesigns, 2/7/2007

Mr Mancini, my high school science teacher, grew a mustache when he began to dye his grey hair black. The dye job progressed by degrees. He was a little grey, then less grey. Nobody noticed; his mustache mesmerized us.

On the day Mr Mancini went all black, he shaved his mustache. All we noticed when he bounced into the classroom was his big, smooth-shaven face. He had to tell us that he’d changed his hair. As a man, he wanted to protect the secret of his vanity, but as a science teacher he felt morally obliged to explain the psychological trick he’d played on us.

Good redesigns work like my teacher’s hair. They are always an opportunity to fix or change a lot of things that aren’t obvious on the pretty new surface. Happy Cog has just redesigned.

It started with a sentence

The new version of Happy Cog’s website had to better convey how our agency’s business has diversified. We are first and always designers for hire. We are also publishers, whose micro-empire is expanding. And we have lately co-founded a high-profile event series.

The old site told the “design for hire” story. The redesign had to tell all three stories.

Usually this would be done by creating a navigation bar with labels like “We design,” “We publish,” and “We present.” But labels don’t connect; they separate. Navigation labels could point to three separate story-lines, but they would not make the case that ours was a holistic enterprise—that our conference, our publications, and our client services business were one.

For some time, I’ve been thinking about the primacy of words in the user interface. A sentence, I felt, could present our three businesses, and by its very nature, connect them in the reader’s mind.

The primary navigation interface had to be a sentence. And so it is.

The drawing board

One sentence led to another. I found it easy to write the new Happy Cog and easy to spin an organic architecture out of the opening sentence. But hell if I could design the thing.

I’d always designed Happy Cog; it was my baby; but every time I opened Photoshop or took crayon to paper, the results were a muddle. Maybe it was because my brain was barreling along on architecture and copy. Or maybe there are only so many times a single designer can take a new look at the same site.

I tapped Jason Santa Maria (or maybe he tapped me). Jason has one of the keenest minds and two of the freshest eyes in the business. He makes legibility beautiful. What the Ramones did with three chords, he does with two system fonts. His designs always spring from the user and the brand proposition.

His first effort sucked. (I was secretly relieved.)

A month later, Jason came back with pretty much the design you now see at happycog.com. (I rejoiced.) The painting at the top, which makes the design, is by A List Apart illustrator Kevin Cornell.

The group

We fleshed out all the pages in Photoshop or as “copy wireframes” and then called on Happy Cog’s Daniel Mall to create lean, semantic markup, beautifully optimized style sheets, and all required PHP and JavaScript contraptions. Dan also set up the WordPress blog.

Dan is as good as anyone I’ve worked with. He is super-fast yet also deeply thoughtful. We spent many a mini-session debating such things as whether the About page and its subsidiaries should include microformats. We decided not.

Mark Huot migrated the new site, a job that involved considerable strategy as well as expertise. Rob Weychert contributed additional art direction and Jon Aldinger offered additional programming.

The redesign tells our story and gives us room to breathe and grow. It is also (I think) quite pretty and thoroughly appropriate. We hope you like it, and we invite you to subscribe to Happy Cog’s RSS feed to stay abreast of all matters Coggish.

Other perspectives

Jason Santa Maria and Daniel Mall have written their perspectives on the Happy Cog redesign. They’re swell! Jason’s writeup includes information about the Happy Cog Philadelphia Open House, featuring the live music of Comhaltas. If you’re around, please visit.

[tags]happycog, design, redesigns, webdesign, jasonsantamaria, danielmall, danmall, zeldman[/tags]

Categories
A List Apart Design Flash

ALA 232: Flash cage match, multi-column CSS

In Issue No. 232 of A List Apart, for people who make websites:

Flash Embedding Cage Match
“How can you best embed Flash content?” In search of an answer, Bobby van der Sluis of UFO fame defines the criteria that matter most to modern web developers: standards compliance, cross browser support, support for alternative content, avoidance of content/player mismatches, auto-activation of active content, and (why not?) ease of implementation.
He then surveys current best-practice alternatives, explains how each works and evaluates pros and cons. And he wraps it up with a surprise ending. Oops. Spoiler.
Multi-Column Layouts Climb Out of the Box
An environmentally responsible energy policy. The perfect snack. Multi-column layouts with equal height columns. Three worthy goals that always seem to elude our grasp. Alan Pearce can help with the layout problem. Building on prior solutions, Pearce shows how to create elastic and liquid three-column layouts with fixed-width sidebars and equal height columns.

[tags]alistapart, webdesign, flash, embed, css, layout, 3column[/tags]