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A List Apart An Event Apart Community Design development industry jobs

Findings from the Web Design Survey

Happy Cog, A List Apart and An Event Apart produce free 80-plus page report; first true picture of the business of web design.

In April 2007, A List Apart and An Event Apart conducted a survey of people who make websites. Close to 33,000 web professionals participated, providing the first data ever collected on the business of web design and development as practiced in the U.S. and worldwide.

Months of data crunching later, what emerges in our free 80-plus page report is the first true picture of our powerful yet little-studied profession. Presenting the Findings From the Web Design Survey.

Join the conversation

Comments off. After reading the 80-plus page report, please join the conversation at A List Apart.

[tags]webdesign, survey, webdesignsurvey, profession, careers, salaries[/tags]

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A List Apart An Event Apart family glamorous industry work

We live as we dream

My cold is in its second week; I slept less than four hours last night. Yesterday we decided to check out the housing market in our neighborhood and ended up making a bid. Anxiety woke me at 1:00 a.m. and kept me eyeballing the dark ceiling for hours.

Tomorrow, if all goes to plan, we will publish the findings of the web design survey. The findings document alone will weigh in at more than 80 pages. It has been less work than building the pyramids, but I may revise that opinion by the end of the day.

Lots happening. Watch this space.

[tags]alistapart, survey, careers, webdesign, webdesignsurvey, NYC, apartments[/tags]

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business Design fashion industry iphone music style

To be of use to others is the only true happiness. Although a 160 GB iPhone would also be nice.

I was hoping Apple would announce a new generation of iPhones with hard drives sufficient to hold an entire music collection plus a handful of videos. Failing that, I was hoping Apple would announce a new generation of iPods that were exactly like iPhones (sans the phone), with hard drives sufficient to hold an entire music collection plus a handful of videos. What Apple announced was an iPhone without the phone.

So I bought a 160 GB iPod Classic. I already have an iPhone, and you can borrow it when you pry it from my cold, dead fingers.

The Classic holds my digital music collection (currently, 31 GB) plus five or six movies digitized at high enough quality to play on a Cinema Screen, and has acres of drive space to spare. I feel that I will never fill it up, although I’ve thought that about every hard drive I’ve ever owned, and I soon filled them all.

The Classic is new and shiny and I almost never use it because the classic iPod interface feels prehistoric after using an iPhone. (Indeed, half the things I do on a computer feel awkward compared to doing them on an iPhone. Click on a friend’s street address in your iPhone. Wow! Now do the same thing on your computer. Ick.)

There are about five movies my toddler loves on the Classic, but she won’t watch them on the Classic. She wants the iPhone and asks for it by name, like cats do for Meow Mix.

The Classic is good for plugging your whole music collection into your stereo. Or it will be when the dock arrives. The Classic does not ship with a dock, and no dock is made for it, but you can order a $50 Universal Dock from Apple. The order takes four weeks to process plus another week to ship. Be kind and call those five weeks a month. A month after unpacking my new Classic I will be able to hook it into my stereo and charge it at the same time—something I expected to be able to do on the day it arrived.

The frustration of that wish is not tragic, but it is not particularly smart marketing, either. This, after all, is a product for people who ardently wish to carry their entire music collection plus a handful of movies in their pocket. Wish fulfillment is the product’s whole reason for being. (Well, wish fulfillment plus the execrable state of air travel, which can turn a jaunt between Chicago and New York into an odyssey of despair and boredom. Carry a Classic and those five hour delays fly by, even when nothing else is flying.)

The guaranteed nightmare of even the shortest business trip aside, what do you do with the Classic? Well, I sometimes bring it to the gym. Because sometimes at the gym, it takes a while to find the right groove. The iPhone’s 7.3 GBs aren’t enough to hold a sufficient musical selection to ensure a great workout.

On the other hand, I can’t answer a business call on my iPod. So even though the Classic gives me lots more music to choose from, I mostly bring my iPhone to the gym.

No iPod is an island, or should be.

Did I mention that the iPhone has a gorgeous, high-resolution screen and the iPod does not? Then there’s the whole gesturing with your fingertips business. How nice that feels, and how weird and slow and un-Apple-like it now feels to go back to the clickwheel that once felt so poshly smart and modern.

I tell you this. If Apple can put a capacious, chunked-out hard drive on the iPhone—even if doing so makes the phone a tad clunkier—the company will have on its hands its hottest convergent technology box yet. And I’ll be the first in line.

Only 95 shopping days ’til Christmas, Steve.

[tags]apple, ipod, iphone, comparison, shopping[/tags]

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Applications Blogs and Blogging Community industry Tools

Facebook Considered Harmless

IN 1995, I RECKONED everyone would teach themselves HTML and start homesteading on the web. When that didn’t happen, I spent three years on a free tutorial I figured would give the world the push it needed. It didn’t.

I was an early blogger and a late user of blogging software because, why did anybody need blogging software? Wrong. Always wrong.

In 2004, some colleagues and I contributed to the “new” Blogger. We were excited by the thought of bringing well-designed, easy-peasy, standards-compliant web publishing tools to millions of people. Now everyone can do this, we thought. And millions did.

But not everyone, it turns out, wants to blog. Blogging is hard. There’s, like, thoughts and stuff that you have to come up with, even if someone else handles the whole “what should my blog be like and what should it do and how should it be organized and what should it look like” part.

No, what most people were really looking for—or at least, what most people have responded to since such things became available—were web gizmos as easy as farting and as addictive as cigarettes. “Social software.” “Web 2.0.” Swimming pools, movie stars.

All this to preface the unremarkable yet strange to those who know me fact that yesterday I signed up for Facebook. And spent several hours messing with it. And checked it this morning before making coffee, before making breakfast for The Wife and I, before bringing The Child her strawberry milk.

Facebook is a walled garden and I am religiously opposed, but here we are and there I am.

Facebook is pretty. It works with Ma.gnolia. It works with Twitter. In theory it works with iLike, except that you can’t add an existing iLike account to Facebook, which is lame and sucks and iLike’s fault, and the fact that I care and am bothering to share such trivia shows how deeply assimilated I have become over the past 24 hours, eight of which I spent sleeping.

As when I joined Twitter, the first thing I noticed was how many of my friends and colleagues were already there ahead of me. Why none of them had invited me to join, bastards, I leave to their consciences, not that I’m bitter. They redeemed themselves by responding within an hour or less when I asked to be their “friends,” not that I’m keeping score.

I don’t need more friends and I don’t need more contacts. I avoided most of the first-generation social software that was all about Rolodex building, and only gave in to the main one everyone knows and which I shall not name when a loved old client of mine invited me to join his network. Since I made that mistake, I get lots more mail, and lots more mail is something else I don’t need.

But I design interfaces so I’m supposed to know about this stuff. That’s the rationale behind my spending hours of billable time adjusting my Facebook preferences. The real reason, of course, for all this stuff, is that it provides a way to blow off work you should be doing, while creating the illusion that you are achieving something. At least in most offices, you can’t masturbate at your desk. But you can Tweet.

[tags]socialsoftware, web2.0, facebook, twitter, flickr, blogs, blogging, community, walledgarden[/tags]

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A List Apart glamorous industry

Block

I sat at my desk today with just one goal: to write the web design survey results article for A List Apart, or at least to make a good start of it. As the day draws to a close, I have not written a word on the subject. And I know I will not. Maybe tomorrow.

I write well, but find the work daunting. Beginnings, especially.

[tags]writer’s block, webdesign, webdesignsurvey[/tags]

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Accessibility An Event Apart Community Design development eric meyer events industry links people Standards

Event Apart Chicago wrap-up

The sights, sounds, and sense of An Event Apart Chicago 2007. Thank you, Chicago. You rocked. (Literally.) An Event Apart San Francisco is our next and final show of the year.

An Event Apart Chicago 2007 Photo Pool
Those who were there share photos in and out of the conference.
Blog reactions to An Event Apart Chicago ’07
Via Technorati.
An Event Apart ’07 Extended Mix
The interstitial playlist from the show.
Middle West
Speaker Dan Cederholm’s recap of the event.

One track continues to rule. It rules because you don’t have to decide where to go and what to miss. But it also rules because the conversations in the hallways and pubs can be centered around the same sessions. There’s no “ah, I missed that one because I saw ______ instead”. There’s a complete shared experience between all attendees, and that’s a very good thing.

Seven Lies in Chicago
Liz Danzico recaps her presentation and answers questions about information architecture.
Best Practices for Web Form Design
Slides from the powerful and incredibly useful talk by Luke W. “I walked through the importance of web forms and a series of design best practices culled from live site analytics, usability testing, eye-tracking studies, and best practice surveys. Including some new research on primary and secondary actions, and dynamic help examples.”
Design Your Way Out of a Paper Bag
Luke W: “Jason Santa Maria’s Design Your Way Out of a Paper Bag highlighted some of his creative process when working on the redesign of popular Web destinations.”
Search Analytics
Luke W: “Lou Rosenfeld’s Search Analytics talk at An Event Apart outlined ways designers and developers could utilize search query logs to uncover insights about their site’s audience and needs.”
7 Lies about Information Architecture
Luke W: “Liz Danzico’s talk at An Event Apart dissected seven often-cited information architecture rules and highlighted counter examples that exposed why these rules might be better suited as design considerations.”
Selling Design
Luke W: “Zeldman discussed the soft skills that enable designers to get great work out in the world.”
KickApps at An Event Apart
Dwayne Oxford: “It’s difficult to walk away from an event like this without a fresh perspective on CSS and the DOM, a head-full of elegant design techniques, and enough inspiration to catapult our work to the next level.”
On An Event Apart Chicago 2007
Brain Freeze on AEA: “Never a boring moment.”
She car go
Speaker, developer and author Jeremy Keith shares his experience of An Event Apart Chicago.

[tags]aeachicago07, aneventapart, aneventapartchicago, chicago, design, web, webdesign, conference, conferences, ux, userexperience, dancederholm, simplebits, lizdanzico, jimcoudal, derekfeatherstone, lousrosenfeld, jeremykeith, lukewroblewski, jasonsantamaria, ericmeyer, zeldman, jeffreyzeldman[/tags]

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A List Apart client services creativity Design Ideas industry Publishing

Staying creative

Everyone is creative. But some stay that way longer. Sooner or later, most people charged with designing, writing, illustrating, and the like find their stores of invention running low. Inspiration pays fewer calls. The well of originality produces only echoes. Ultimately, the very urge to create—the thing that got them into this business when their parents advised them to study dentistry—shrivels and fades.

Or so I have read.

A List Apart illustrator Kevin Cornell is no stranger to the problem of becoming and staying motivated, and in his new ALA article, coincidentally entitled Staying Motivated, he shares his process for doing just that.

Also in Issue 243 of A List Apart, for people who make websites:

We say potato, our client says po-tah-to. Clients and those who serve them come from different backgrounds, possess different skills, and often seem to speak different languages. To work around these differences, many of us use a metaphor- and simile-driven shorthand. The site should work “like Amazon,” with features “like Expedia.” It should be “like Basecamp” and “like Wikipedia.”

This language of comparison can help bridge the knowledge gap, but it can also create false expectations and frustration on both sides of the client/designer relationship. Can you master the metaphor without falling prey to its pitfalls? Jack Zeal thinks you can, and in Design by Metaphor he shares tips on using the technique to keep clients engaged but not unhinged.

Pretty good, right? But there’s more. In Editor’s Choice, from 16 August 2002, we proudly revive 10 Tips on Writing the Living Web by Mark Bernstein—the classic article on updating daily content to grow community and keep readers coming back.

I should reread that one myself.

[tags]alistapart, creativity, inspiration, jackzeal, kevincornell, designbymetaphor, clientservices, ebay[/tags]

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Accessibility An Event Apart Design events industry Standards

A Sale of Two Cities

As the last tickets for An Event Apart Chicago get gobbled up, we announce our final Event Apart show of 2007: An Event Apart San Francisco, October 4–5, Sheraton Palace Hotel. You won’t want to miss this line-up:

Joe Clark

Joe Clark served on the Web Content Accessibility Guidelines Working Group and now volunteers with the PDF/Universal Access Committee. He emerges from self-imposed retirement to share his wisdom on the subject of Building Accessible Websites.

Jared Spool

Jared Spool has led the usability agenda since 1978, before the term “usability” was even associated with computers. He is one of the world’s most effective and knowledgeable communicators on the subject.

Aaron Gustafson

Between coding usable forms and accessible Ajax, Aaron Gustafson tech-edits A List Apart and writes for Digital Web , ALA, and MSDN. Print credits include AdvancED DOM Scripting and Web Design in a Nutshell, 3rd Ed..

Kimberly Blessing

Developer, standards evangelist, and technical strategist Kimberly Blessing co-leads The Web Standards Project and directs PayPal’s Web Development Platform Team, driving the creation and adoption of standards.

Jina Bolton

Interactive designer and artist Jina Bolton is an web interface developer at Apple and co-author of The Art & Science of CSS. She has consulted for the W3C Web Accessibility Initiative, Mass.gov, and others.

Doug Bowman

An influential designer at the forefront of forward-thinking web design, Doug Bowman is Visual Design Lead at Google, where he tries to change the world, a few million users at a time.

Erin Kissane

Erin Kissane edits A List Apart and is editorial director for Happy Cog. She has written copy, advised on brand and content strategy, and provided editorial oversight for clients from startups to Global 1000 companies.

Jason Santa Maria

Jason Santa Maria has been recognized for designing stylish web interfaces that balance usability with effective content presentation. His work has won dozens of awards.

And, of course, your hosts:

Eric Meyer

Eric Meyer is the world’s best-recognized and most-read CSS expert, author of CSS: The Definitive Guide, Eric Meyer on CSS and a half-dozen other best-sellers. He has consulted for Apple, Wells Fargo, and America On-Line, among others, and co-founded An Event Apart with your humble narrator in November 2005.

Jeffrey Zeldman

You can read about me here.

Topics at An Event Apart San Francisco will include standards in the enterprise, creating designs that adapt to multiple display types and languages, the art and science of web forms, how to handle design and redesign, the importance of copy and editing, usability, and more.

The two-day event, including meals, swag, and parties, costs $795 (regularly $895) while earlybird savings are in effect through September 7th, 2007. Seating is limited: first come, first served. Hope to see some of you there!

[tags]aneventapart, sanfrancisco, design, development, standards, bestpractices, webstandards, webdesign, webdevelopment, aeasf07[/tags]

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business businessweek csszengarden Design development family Happy Cog™ industry links Microsoft reportage Standards work Zeldman

The King of Web Standards

In BusinessWeek, senior writer for Innovation & Design Jessie Scanlon has just published “Jeffrey Zeldman: King of Web Standards.” By any standards (heh heh), it is an accurate and well researched article. By the standards of technology journalism, it is exceptional. It might even help designers who aren’t named Jeffrey Zeldman as they struggle to explain the benefits of web standards to their bosses or clients. At the least, its publication in Business Week will command some business people’s attention, and perhaps their respect.

Avoiding the twin dangers of oversimplification that misleads, and pedantry that bores or confuses, Scanlon informs business readers about the markup and code that underlies websites; what went wrong with it in the early days of the web; and how web standards help ensure “that a Web site can be used by someone using any browser and any Web-enabled device.”

Scanlon communicates this information quickly, so as not to waste a business reader’s time, and clearly, without talking down to the reader. This makes her article, not merely a dandy clipping for my scrapbook, but a useful tool of web standards evangelism.

Contributing to the article with their comments are Jeff Veen, manager of user experience for Google’s web applications and former director of Hotwired.com; NYTimes.com design director, subtraction.com author, and grid-meister Khoi Vinh; and Dan Cederholm, founder of SimpleBits and author of Bulletproof Web Design. Dave Shea’s CSS Zen Garden features prominently as well, and rightfully so.

A right sexy slide show accompanies the article.

And lest a BusinessWeek article lull us into complacency, let us here note that the top 20 blogs as measured by Technorati.com fail validation—including one blog Happy Cog designed. (It was valid when we handed it off to the client.)

[tags]design, webdesign, standards, webstandards, webstandardsproject, WaSP, zeldman, jeffreyzeldman, veen, jeffveen, simplebits, dancederholm, bulletproof, khoivinh, subtraction, wired, hotwired, nytimes, happycog, zengarden, css, csszengarden[/tags]

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Community industry links Standards Tools

InterNetwork

Why does every single social network community site make you:

  • re-enter all your personal profile info (name, email, birthday, URL etc.)?
  • re-add all your friends?

And why do you have to:

  • re-turn off notifications?
  • re-specify privacy preferences?
  • re-block people you don’t want to interact with?

Brainstormed by Daniel Burka, Eran Globen, Brian Oberkirch and Tantek Çelik, Social Network Portability, an emerging article at microformats.org, is an attempt to begin tackling these problems for good. Big- and little-d designers, you can help.

[tags]socialnetworks, portability, microformats, standards, social network portability[/tags]

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An Event Apart better-know-a-speaker Design industry people

Better know a speaker: Dan Cederholm

Dan Cederholm is the brilliant mind behind Bulletproof Web Design and Web Standards Solutions and he’s bringing his highly acclaimed talk, “Interface Design Juggling,” to An Event Apart’s Chicago stage. We took a few minutes to dig deeper into what’s going on with Dan these days and what he’ll have in store for us.

Coming soon: Better Know A Speaker interviews with Lou Rosenfeld, Jeremy Keith, Liz Danzico, Luke Wroblewski, and more!

[tags]aneventapart, simplebits, cederholm, dancederholm, aeachicago2007[/tags]

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business Community Design development industry project management Standards

Let there be web divisions

We are still crunching numbers on the Web Design Survey—with over 32,000 responses to 36 questions, there’s a lot to crunch. But in one area, preliminary data supports what anecdotal experience led us to expect: almost no one who makes websites works in their company or organization’s web division. That’s because almost no company or organization has a web division. And that void on the org chart is one reason we have so many bloated, unusable failures where we should be producing great user experiences.

Ponder. No matter how critical the web experience may be to the organization’s mission, the people who design and build those mission-critical sites work in divisions that have nothing to do with the web, and report to leaders whose expertise is unrelated to web design and development.

It’s a startling fact with profound implications—and as such has gone unnoticed by the business community and press.

IT or marketing

From law firms to libraries, from universities to Fortune 500 companies, the organization’s website almost invariably falls under the domain of the IT Department or the Marketing Department, leading to turf wars and other predictable consequences. While many good (and highly capable) people work in IT and marketing, neither area is ideally suited to craft usable websites or to encourage the blossoming of vital web communities.

Competent IT departments handle a dazzling array of technical challenges requiring deep, multi-leveled expertise. But tasks such as equipping 20,000 globally dispersed employees with appropriately configured PCs, or maintaining corporate databases and mail gateways, don’t necessarily map to the skills required to design great user experiences for the web.

Large-scale systems expertise takes a different mindset than what’s needed to write usable guide copy, finesse markup semantics, or design an easy-to-understand user interface employing the lightest and fewest possible graphic images. Moreover, nimble development and support for open standards are not the hallmarks of large IT departments (although undoubtedly there are noble exceptions). Additionally, developers with a background in IT (again, with some exceptions) tend to create from the point of view of technology, rather than that of the user.

What about Marketing?

Organizations that don’t entrust their website to IT tend to hand it to Marketing. The rationale for doing so is easy to see: Marketing has been briefed on the organization’s business goals (at least for the next quarter), and the division is staffed by communications specialists who know at least something about writing and art direction. If nothing else, they know who to hire to write their copy, and they are comfortable telling the in-house graphic designers to make the logo bigger.

Like IT, Marketing has valuable organizational knowledge (plus certain skills) to contribute to any serious web enterprise. The leaders of Marketing, like the leaders of IT, should be frequently consulted in any web effort. But the skills of Marketing, like the skills of IT, don’t necessarily map to what is needed to create great web experiences.

For one thing, as anyone reading this knows, the web is a conversation. Marketing, by contrast, is a monologue. It can be a great monologue—for examples of which, see The One Show Winners or the AIGA Design Archives. But a monologue and conversation are not the same, as an hour spent with your windy Uncle Randolph will remind you.

And then there’s all that messy business with semantic markup, CSS, unobtrusive scripting, card-sorting exercises, HTML run-throughs, involving users in accessibility, and the rest of the skills and experience that don’t fall under Marketing’s purview.

If not them, then who?

Business and non-profit decision makers, for your users’ good, consider this request. Stop separating the members of your web team. Cease distributing them among various (often competitive) divisions led by people with limited web expertise. Let the coders, designers, writers, and others charged with creating and maintaining your web presence work together. Put them in a division that recognizes that your site is not a bastard of your brochures, nor a natural outgrowth of your group calendar. Let there be web divisions.

[tags]webdesign, webdevelopment, design, development, web divisions[/tags]

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12 years A List Apart An Event Apart Design Happy Cog™ industry Standards work Zeldman

Hi, Mom!

A Business Week slide show, “Thinking Outside the Design Box,” profiles “10 professionals working at the very edges of their disciplines in order to redefine their industries.” Included are designers Lisa Strausfeld of Pentagram, who helped design the interface for One Laptop Per Child; Robin Chase, the founder of Zipcar; and (ulp!) me.

I’m in there because they needed a pretty face, and because of the whole web standards thing.

The piece is part of “Cutting-Edge Designers 2007,” a Business Week Special Report focusing on innovation that arises out of crossing disciplines and combining technologies.

It’s worth reading, which is lucky, because I would have blogged it no matter what.

[tags]design, innovation, businessweek, designers, zeldman[/tags]

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HTML mail industry

When is e-mail like a bad website?

Nokia sent a friend an HTML e-mail message. I’ve broken it into five screen shots, because it won’t fit on one:

  1. Nokia “e-mail” part 1
  2. Nokia “e-mail” part 2
  3. Nokia “e-mail” part 3
  4. Nokia “e-mail” part 4
  5. Nokia “e-mail” part 5

A word about the fonts. These are not my default settings. They are controlled by Nokia, on the assumption that 9px Arial is universally legible and attractive.

A word about the layout: I can reconfigure it by changing the width of my e-mail client’s message window, but no matter how I play with the width, I never get the layout the sender intended.

Nokia is trying to cram a bad web page—the kind of web page that is all graphics and almost no textual content—into a container that can’t hold it. It’s like pouring wine into a sieve. I’m not saying the graphic designers who created this message lack talent; from what I can tell, they are gifted indeed, and able to do nice work under what must be harsh production deadlines.

I’m not saying the layout is broken for everyone, or that there couldn’t possibly be an MF Doom fan who also digs Fall Out Boy. Clearly the layout must work correctly in some applications; doubtless, too, there must be some users who enjoy getting craploads of musician photos in their e-mail in-box. Nokia wouldn’t do this if it didn’t work for somebody. Responding to this post by saying, “Funny, it looks okay in my e-mail client” will miss the point that e-mail, as a medium, really doesn’t want to carry all this freight.

Related posts

Eight points for better e-mail relationships

Okay, so under the right circumstances, when people have requested it, e-mail can be a platform for design. Here are eight ways to make it work better (and avoid pissing off people who hate HTML mail).

E-mail is not a platform for design

ASCII means never having to say you’re sorry.

[tags]HTML mail, e-mail, marketing, internet marketing, design[/tags]

Categories
Design HTML mail industry Standards work

Eight points for better e-mail relationships

Campaign Monitor has taken me to task, and I find it hard to dispute their primary contention:

To say as a blanket statement that HTML email impedes communication is an extraordinary generalisation. There are many times when a well designed, and well laid out HTML email can be a lot clearer, easier to scan and overall better experience than the equivalent in plain text.

They’re got a point. Having read and considered Campaign Monitor’s comment and other sensible responses to my 8 June post, I agree that my brush was too broad.

A few well-designed, well-considered, communicating visual elements, in the context of a well-written, time-respecting, communicating HTML e-mail message, sent only to people who have asked to receive it, and formatted to work across applications and platforms, can indeed enhance communication.

Yet unsolicited mail, as all internet users know, makes it hard to use e-mail to communicate with friends, family, and work mates. Trying to defeat spam, we miss messages from business partners and loved ones. Add unsolicited graphics and broken formatting to that mix; send tons of it to a business person who is trying to check e-mail while out of the office, and you have a recipe for road rage on the information superhighway.

Perhaps reasonable people could agree to the eight notions put forward below.

Note: As in my previous post, I’m about to preach to the choir. Designers reading my site and using Campaign Monitor or other fine mail services (such as Deck advertiser MailChimp, cough) already know and practice ’most everything I’m about to recommend. The following is not a pledge. Pledges don’t work. People don’t change their behavior or business practices because someone with a blog asks them to be nice. Okay? So this is not directed at my readers or Campaign Monitor’s customers, who, I believe, will agree:

  1. Unsolicited HTML mail (like unsolicited mail generally) is an abuse. Send HTML formatted mails only to those who’ve opted in. Always offer a text mail version.
  2. Consider making text mail the default, and HTML mail the optional opt-in. Typically, where choice is provided, the HTML option is checked by default. Many users—because they assume the experts who created the web service are looking out for their best interests—don’t change defaults. This doesn’t mean they all actually want HTML mail. If the default switches to text, then you can be reasonably sure that those who opted for HTML mail probably want it.
  3. On your website, provide a sample of your HTML newsletter so people can judge for themselves if it’s something they want to receive.
  4. As in all design, consider every element before adding it. Remove everything that does not help you communicate.
  5. Test. I can’t count the number of banks, e-commerce and travel services that send me HTML-formatted transaction records, receipts, itineraries, and other jim-jams that do not work in my mail platform. These businesses never offer a plain-text version, let alone an opt-in choice with a test link to see if I like what they have to offer and verify that my mail client likes it, too. Broken mail doesn’t win friends and influence customers (except to change vendors). I am likelier to switch travel services than e-mail clients.
  6. Never send bulk e-mail to a list of people who haven’t agreed to receive messages from you. (This, of course, will never happen, but it belongs in the list anyway.)
  7. E-mail blaster product providers, please offer a streamlined option for those who choose to send their subscribers text-only. Don’t make us design HTML mail templates we have no intention of using, and jump through hoops to make sure our users never see the dummy HTML mail format you asked us to create. (Not directed at any company in particular; suggested as a product differentiator slash best practice.)
  8. Learn how HTML mail works (or doesn’t) across as many platforms as possible, and work with the manufacturers to improve support for web standards. This is not my job. I did my job where web standards are concerned (you’re welcome!), and turned over The Web Standards Project to a new generation of leadership. And as I never send HTML formatted mails, not only is it not my job, I wouldn’t even be qualified to do it. But standardistas who are compelled by their clients to create HTML mails (or who choose to do so) are gently urged to do their part in diminishing wasted bandwidth and enhancing semantics.

Related posts

When is e-mail like a bad website?

Nokia sent a friend an HTML e-mail message. I’ve broken it into five screen shots, because it won’t fit on one. E-mail, as a medium, really doesn’t want to carry all this freight.

E-mail is not a platform for design

ASCII means never having to say you’re sorry.

[tags]HTML mail, e-mail, marketing, internet marketing, design[/tags]