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apps Archiving art Design Illustration My Back Pages Web Design Web Design History

For love of pixels

Sure, watches that tell you when you’re walking unsteadily and pocket computer phones that show you the closest pizzeria are swell, but were you around for ResEdit? That humble yet supremely capable Macintosh resource editing tool is what we used to design pixel art back in the day. (And what day was that? Come August, it will be 30 years since the final release of ResEdit 2.1.3.) Stroll with us down memory lane as we celebrate the pearl anniversary of pixel art creation’s primary progenitor, and some of the many artists and design languages it inspired. Extra credit: When you finish your stroll, consider posting a Comment sharing your appreciation for this nearly forgotten art form and/or sharing links to additional pixel art icon treasures missing from our list below.

Categories
Authoring Best practices Blogs and Blogging Code Compatibility CSS Design development Free Advice Future-Friendly HTML industry Layout links maturity Off My Lawn! Platforms Rants Responsibility Standards State of the Web The Profession Web Design Web Design History Web Standards wisdom

The More Things Change… (or: What’s in a Job Title?)

I’m not a “[full-stack] developer,” regardless of what my last job title says.

I’m not even a front-end developer, thanks to the JavaScript–industrial complex.

I’m a front-of-the-front-end developer, but that’s too long.

So, I’m a web designer. And I also specialise in accessibility, design systems, and design.

…Why do I think that this is the best title? Here’s why.

I’m designing for the web. The infinitely flexible web. The web that doesn’t have one screen size, one browser, one operating system, or one device. The web that can be used by anyone, anywhere, on any internet connection, on any device, on any operating system, on any browser, with any screen size. I’m designing with the web. Using the web platform (HTML, CSS, JS, ARIA, etc.), not a bloated harmful abstraction. I have a deep understanding of HTML and its semantics. I love CSS, I know how and when to utilise its many features, and I keep up-to-date as more are added. I have a strong understanding of modern JavaScript and most importantly I know when not to use it.

Front-end development’s identity crisis by Elly Loel

See also:

The Wax and the Wane of the Web (2024): Forget death and taxes. The only certainty on the web is change. Ste Grainer takes a brief look at the history of the web and how it has been constantly reinvented. Then he explores where we are now, and how we can shape the future of the web for the better. – A List Apart

The Cult of the Complex (2018): If we wish to get back to the business of quietly improving people’s lives, one thoughtful interaction at a time, we must rid ourselves of the cult of the complex. Admitting the problem is the first step in solving it. – A List Apart

Dear AIGA, where are the web designers? (2007): For all the brand directors, creative directors, Jungian analysts, and print designers, one rather significant specimen of the profession is missing. – zeldman.com

Standardization and the Open Web (2015): How do web standards become, well, standard? Although they’re often formalized through official standards-making organizations, they can also emerge through popular practice among the developer community. If both sides don’t work together, we risk delaying implementation, stifling creativity, and losing ground to politics and paralysis. Jory Burson sheds light on the historical underpinnings of web standardization processes—and what that means for the future of the open web. – A List Apart

The profession that dare not speak its name (2007): “No one has tried to measure web design because web design has been a hidden profession.” – zeldman.com

Categories
Advocacy automattic Blogs and Blogging Brands Community Design industry Own your content software Standards Web Design Web Standards wordpress

Enabling Folks to Express Themselves on the Web: State of the Word 2021

Screenshot of slide highlighting the four phases of WordPress Gutenberg.

Not only are we enabling folks to express themselves uniquely on the web, unlike the cookie cutter looks that all the social sites try to put you into. We’re doing it in a way which is standards-based, interoperable, based on open source, and increases the amount of freedom on the web.

—Matt Mullenweg, State of the Word 

In a live address, Automattic’s Matt Mullenweg

  • Introduces Openverse (an opt-in content commons);
  • Announces that WordPress’s beginner-friendly Learn.Wordpress.org is now available in 21 languages;
  • Philosophizes about Web3 and the “decentralized web” —which, despite big company colonization attempts, is really what the web has always been;
  • Extols the virtues of Open Source;
  • And more. 

Watch the 2021 #StateoftheWord annual keynote address on YouTube. It’s two hours long, so bring popcorn.

Selected Additional Reactions & Commentary

Hat tips to Chenda Ngak, Reyes Martínez, and Josepha Haden.

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An Event Apart Appearances art direction better-know-a-speaker books Career conferences Design Designers Education events Genius glamorous Illustration industry Interviews New York City NYC Off My Lawn! speaking Stories Surviving Teaching The Profession UX Web Design Web Design History work

My Night With Essl

Mike Essl and I discuss his portfolio.
Mike Essl and I discuss his portfolio on Night 2 of An Event Apart Online Together Fall Summit.

Herewith, a scene from last night’s interview with legendary web & book designer (and Dean of The Cooper Union School of Art) Mike Essl, who shared his portfolio, career highlights, early web design history, and more. Fun!

If you get a chance to meet, work with, or learn from Mike, take it. He’s brilliant, hilarious, warmly human, and one of the most creative people you’ll ever have the good fortune to know. 

Mike Essl

So ended Day 2 of An Event Apart Online Together Fall Summit 2021. Day 3 begins in less than two hours. You can still join us … or watch later On Demand.

Categories
Design Themes and Templates Tools Typography Web Design wordpress

60+ Free WordPress Themes

One of 60+ quality WordPress themes.

Via instantshift.com

Pulling the trigger just got easier. Now anyone can have a beautifully designed, standards-compliant WordPress site. The 60-plus recently created free WordPress themes (AKA template collections) listed by InstantShift’s Daniel Adams are categorized by function and style: “Clean and Minimal,” “Artistic and Fancy,” “Magazine Style,” “Portfolio Style,” “News and Social Media Style,” “Showcase and Galleries Style,” “E-Comerce and Shopping Cart Style,” “Domain Parking/Coming Soon Style,” and “Other.” Something for everyone.

Not everything here is a winner or will appeal to every taste, but there is plenty of great work to be had here. If WordPress is your CMS (it’s mine), even if you are a designer, you may ask yourself if you really need to perform that next site redesign from scratch.

Posted via the web from Does This Zeldman Make My Posterous Look Fat?

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An Event Apart Appearances business Chicago cities Design HTML speaking Standards Usability User Experience UX Web Design Web Standards Zeldman

Chicago Sells Out

An Event Apart Chicago, two days of design, code, and content.

An Event Apart Chicago has sold out. If you wanted to join us in Chicago on October 12–13 for two days of design, code, and content, we’re sorry to announce that the show has completely sold out. There’s not a spare seat to be had.

That means, if you don’t already have a ticket, you won’t be able to watch Jason Santa Maria, Kristina Halvorson, Dan Brown, Whitney Hess, Andy Clarke, Aaron Gustafson, Simon Willison, Luke Wroblewski, Dan Rubin, Dan Cederholm, and your hosts Eric Meyer and Jeffrey Zeldman share the latest ideas in design, development, usability, and content strategy.

We’re sorry about that.

But, hey. If you can’t be with us in Chicago next week, please join us in San Francisco later this year. Or come see us in 2010 at any of these fine cities:

Tickets for all our 2010 shows go on sale November 2nd, 2009, and are first-come, first served.

To keep up with the latest AEA doings, become a fan on Facebook, join our Ning social network, or subscribe to our mailing list.

Short URL: zeldman.com/?p=2651

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conferences

NYC microformats workshop

Join Tantek Celik Wednesday 12 August at the first-ever microformats workshop to be held in New York City. An Event Apart fans get 40% off the advance price of $195 (regular $375) with discount code aea40 when you order by midnight tonight.

In the past year, microformats support has been launched and built into products and services by Google, Microsoft, Yahoo, Yelp and numerous other companies, as well as nearly every new social network website.

Taught by industry leader Tantek Çelik, the workshop will cover just about everything you need to know to get started with microformats.

In half a day you will learn how to add key well-established microformats to your website to benefit your users, help your website’s findability in search engines, and provide a standards based API for web developers.

You will learn not just the theory of microformats; you’ll also get down and dirty with some hands-on markup:

  • What are microformats? Get a good grounding in the kind of problems microformats are designed to solve… and find out where the limits of microformats are (by design).
  • Foundations for microformats. it’s important to understand the value of meaningful markup before implementing microformats. This will get you thinking about how you should be marking up your content using plain ol’ semantic HTML before adding any microformat enhancements.
  • Incremental building blocks. From simple elemental microformats that consist of nothing more than adding an attribute, right up to compound microformats that can be mashed up together, you’ll meet them all.
  • Smell the microformats. Just as you can develop a nose for wine tasting, you can also develop a sense for spotting which content is just crying out to be microformatted. Once you’ve learned to see these patterns, you’ll never surf the web the same way again.
  • Add microformats to your sites. Using a combination of exercises, this workshop will teach you to how to spice up your content with semantic goodness. If you’re up to the challenge and bring your laptop, by the end of the workshop you’ll have added microformats to your site in HTML4, XHTML, or HTML5.
  • Powerful user experience enhancements. Add powerful one-click contact info download and event subscription functionality for your users to easily add your site to their address books and calendars.
  • Search Engine Optimization (SEO). With both Google and Yahoo now indexing microformats and using them in search results, it’s critical to make sure your site properly marks up contacts, events, and reviews with microformats for search engines to discover, index, and display better results to users.

[tags]microformats, tantek, workshop, conference, webdesign, webdevelopment[/tags]

Categories
A List Apart Design Redesigns Web Design Websites

ALA 289: Redesign yourself

In Issue No. 289 of A List Apart, for people who make websites: 90% of web design is redesign. The hardest redesigns are the ones you do for yourself. In this special issue, we look at how two of the great ones handled the challenge of redesigning their own sites.

Erskine Design Redesign

by SIMON COLLISON

In a mere two years, Erskine Design grew from two people working at home into a full-fledged agency of eight, working with major clients. Their website needed to better reflect their achievements, abilities, and team strengths. They also sought to improve the quality of data collected during client inquiries. Simon Collison explores the agency’s thought processes, and the decisions they made as their own client.

Redesigning Your Own Site

by LEA ALCANTARA

Redesigning your freelance website is an exercise in masochism. There are no colleagues to share the pain: It’s just you. As the designer who wrote The Art of Self-Branding, freelancer Lea Alcantara knew her site had to be just right. People were bound to scrutinize any update to the design, and she couldn’t afford to damage her credibility. Follow her process and decide for yourself if she succeeded.

[tags]design, redesign, self-branding, webdesign, alistapart[/tags]

Categories
Announcements business Design New York City Philadelphia San Francisco Web Design

Happy Cog and Airbag merge

Now the right hand knows what the left hand is doing. Happy Cog™ and Airbag Industries announce the merger of our firms, effective today, August 3, 2009. The resulting super-agency will be called Happy Cog, and will maintain studios in three cities:

  1. Happy Cog East, in Philadelphia, directed by President Greg Hoy;
  2. Happy Cog West, in San Francisco (the newest branch), directed by President Greg Storey; and
  3. Happy Cog Studios, the original, in New York City, directed by little old me.

The connection between our agencies goes back years. Greg Storey tells that tale.

From an internal perspective, this merger of people and resources, freely shared across all three agencies, means we can now bring boutique-style craftsmanship to any size job. If you’re a client, you no longer have to choose between “big enough” and “good enough” when selecting a vendor. You can hire a big agency that designs and cares like a small one.

With the mix of people now at our disposal, you can expect exciting product development as well.

Staffed up and pumped up, Happy Cog East and Happy Cog West will specialize in client services, web design, and development. Happy Cog Studios in New York, while also designing selected websites, will focus on business strategy and content development via A List Apart Magazine, An Event Apart design conference, and other ventures.

None of us knows exactly where all this is going. But we like who we’re going with—and we trust them with our lives. More than that, we trust them with our reputation.

Onward!

Read more

[tags]airbag, happycog, merger, webdesign, greghoy, gregstorey[/tags]

Categories
Applications architecture art direction books business client services Code Community content creativity Design development editorial Happy Cog™ launches links people Publications Publishing social networking software Web Design Websites

The Amanda Project

Designed by Happy Cog and launched today, The Amanda Project is a social media network, creative writing project, interactive game, and book series combined:

The Amanda Project is the story of Amanda Valentino, told through an interactive website and book series for readers aged 13 & up. On the website, readers are invited to become a part of the story as they help the main characters search for Amanda.

The writing-focused social media network is designed and written as if by characters from the Amanda novels, and encourages readers to enter the novel’s world by joining the search for Amanda, following clues and reading passages that exist only online, and ultimately helping to shape the course of the Amanda narrative across eight novels. (The first Amanda novel—Invisible I, written by Melissa Kantor—comes out 22 September.)

The site developed over a year of intense creative collaboration between Happy Cog and Fourth Story Media, a book publisher and new media company spearheaded by publishing whiz Lisa Holton. Prior to starting Fourth Story, Lisa was was President, Scholastic Trade Publishing and Book Fairs; managed the publication of Harry Potter and the Deathly Hallows; and oversaw development of The 39 Clues. Before that she spent nearly a decade developing numerous bestselling, franchise-launching series at Disney.

Happy Cog‘s New York office developed this project. The team:

Equally vital to the project’s success were Fourth Story’s leaders and partners, including:

  • Lorraine Shanley, Principal Advisor
  • Ariel Aberg-Riger (website, Twitter), Creative Development & Marketing Manager
  • JillEllyn Riley, Editorial Director
  • Dale Robbins, Creative Director
  • David Stack, Director, Digital Partnerships
  • Melissa Kantor, Writer
  • Peter Silsbee, Writer
  • Polly Kanevsky, Art Director
  • Sam Gerstenzang, Technology Consultant

Today’s launch is not the end of our relationship with Fourth Story Media. The Amanda Project will continue to evolve, and Happy Cog will remain an active partner in its direction and growth. We thank our brilliant collaborators and congratulate them on today’s milestone.

Read more

[tags]amanda, amandaproject, theamandaproject, TAP, happycog, design, webdesign, contentstrategy, userexperience, publishing, books, aarongustafson, lizdanzico, erinkissane, whitneyhess, mattgoldenberg, kellymccarthy, jasonsantamaria, jeffreyzeldman, lisaholton, dalerobbins, davidstack, JillEllynRiley, ArielAberg-Riger[/tags]

Categories
Advocacy Applications architecture Browsers Code Compatibility creativity CSS Design DOM Markup spec Standards State of the Web W3C Web Design Web Design History Web Standards wisdom

Why Standards Fail

Back in 2000, CSS co-creator Bert Bos set out to explain the W3C’s design principles—“to make explicit what the developers in the various W3C working groups mean when they invoke words like efficiency, maintainability, accessibility, extensibility, learnability, simplicity, [and] longevity….”

Eventually published in 2003, the essay, although ostensibly concerned with explaining W3C working group principles to the uninitiated, actually articulates the key principle that separates great design from the muck we normally wade through. It also serves as a warning to Bert’s fellow W3C wizards not to seek the dark magic of abstract purity at the expense of the common good. Tragically for these wizards, and for we who use their technologies, it is a warning some developers of W3C specifications continue to overlook.

Design is for people

In his introduction, Bert summarizes the humanistic value that is supposed to be at the core of every web standard:

Contrary to appearances, the W3C specifications are for the most part not designed for computers, but for people. … Most of the formats are in fact compromises between human-readability and computer efficiency….

But why do we want people to read them at all? Because all our specs are incomplete. Because people, usually other people than the original developers, have to add to them….

For the same reason we try to keep the specifications of reasonable size. They must describe a useful chunk of technology, but not one that is too large for an individual to understand.

Over the succeeding 25 web pages (the article is chunked out in pamphlet-sized pages, each devoted to a single principle such as “maintainability” and “robustness”) Bert clearly, plainly, and humbly articulates a series of rather profound ideas that are key to the web’s growth and that might apply equally admirably to realms of human endeavor beyond the web.

For instance, in the page entitled “Use What Is There,” Bert says:

The Web now runs on HTML, HTTP and URLs, none of which existed before the ’90s. But it isn’t just because of the quality of these new formats and protocols that the Web took off. In fact, the original HTTP was a worse protocol than, e.g., Gopher or FTP in its capabilities….

And that fact shows nicely what made the Web possible at all: it didn’t try to replace things that already worked, it only added new modules, that fit in the existing infrastructure. …

And nowadays (the year 2000), it may look like everything is XML and HTTP, but that impression is only because the “old” stuff is so well integrated that you forget about it: there is no replacement for e-mail or Usenet, for JPEG or MPEG, and many other essential parts of the Web.

He then warns:

There is, unfortunately, a tendency in every standards organization, W3C not excluded, to replace everything that was created by others with things developed in-house. It is the not-invented-here syndrome, a feeling that things that were not developed “for the Web” are somehow inferior. And that “we” can do better than “them.” But even if that is true, maybe the improvement still isn’t worth spending a working group’s resources on.

Shrinkage and seduction

In his gentle way, Bert seems to be speaking directly to his W3C peers, who may not always share his and Håkon‘s humanism. For, despite what designers new to CSS, struggling for the first time with concepts like “float” and the box model may think, Bert and Håkon designed the web’s layout language to be easy to learn, teach, implement, maintain, and (eventually) extend. They also designed CSS not to overwhelm the newcomer with advanced power at the cost of profound complexity. (“CSS stops short of even more powerful features that programmers use in their programming languages: macros, variables, symbolic constants, conditionals, expressions over variables, etc. That is because these things give power-users a lot of rope, but less experienced users will unwittingly hang themselves; or, more likely, be so scared that they won’t even touch CSS. It’s a balance.”)

This striving to be understood and used by the inexperienced is the underlying principle of all good design, from the iPhone to the Eames chair. It’s what Jared Spool would call usability and you and I may consider the heart of design. When anything new is created, be it a website, a service, or a web markup language, there is a gap between what the creator knows (which is everything about how it’s supposed to work), and what you and I know (which is nothing). The goal of design is to shrink this ignorance gap while seducing us into leaping across it.

What were once vices are now habits

You can see this principle at work in CSS, whose simplicity allowed us to learn it. Although we now rail against the limitations of CSS 1 and even CSS 2.1, what we are really complaining about is the slow pace of CSS 3 and the greater slowness with which browser makers (some more than others) adopt bits of it.

Note that at one time we would have railed against browser makers who implemented parts of a specification that was still under development; now we admire them. Note, too, that it has taken well over a decade for developers to understand and browsers to support basic CSS, and it is only from the perspective of the experienced customer who craves more that advanced web designers now cry out for immediate CSS 3 adoption and chafe against the “restrictions” of current CSS as universally supported in all browsers, including IE8.

If CSS had initially offered the power, depth, and complexity that CSS 3 promises, we would still be designing with tables or Flash. Even assuming a browser had existed that could demonstrate the power of CSS 3, the complexity of the specification would have daunted everyone but Eric Meyer, had CSS 1 not come out of the gate first.

The future of the future of standards

It was the practical simplicity of CSS that enabled browser engineers to implement it and tempted designers to use (and then evangelize) it. In contrast, it was the seeming complexity and detachment from practical workaday concerns that doomed XHTML 2, while XHTML 1.0 remains a valid spec that will likely still be working when you and I have retired (assuming retirement will be possible in our lifetime—but that’s another story).

And yet, compared to some W3C specs in progress, XHTML 2 was a model of accessible, practical, down-to-earth usability.

To the extent that W3C specifications remain modular, practical, and accessible to the non-PhD in computer science, they will be adopted by browser makers and the marketplace. The farther they depart from the principles Bert articulated, the sooner they will peter out into nothingness, and the likelier we are to face a crisis in which web standards once again detach from the direction in which the web is actually moving, and the medium is given over to incompatible, proprietary technologies.

I urge everyone to read “What is a Good Standard?“, and I thank my friend Tantek for pointing it out to me.

[tags]W3C, design, principles, bertbos, maintainability, accessibility, extensibility, learnability, simplicity, specs, standards, css, markup, code, languages, web, webdesign, webstandards, webdevelopment, essays[/tags]

Categories
A List Apart Accessibility Design Markup

ALA 288: Access & semantics

In Issue No. 288 of A List Apart, for people who make websites: Margit Link-Rodrigue advises us to integrate accessibility with front-end development instead of treating it as an afterthought—an item on a checklist. And Joe Clark analyzes why some forms of writing resist being expressed as semantic HTML.

A List Apart, for people who make websites.

Unwebbable
by JOE CLARK
It’s time we came to grips with the fact that not every “document” can be a semantic “web page.” Some forms of writing just cannot be expressed in HTML—or they need to be bent and distorted to do so. But for once, XML can help. Joe Clark explains.
The Inclusion Principle
by MARGIT LINK-RODRIGUE
To make accessible design an organic element of front-end development, we must free our thinking from the constraints we associate with accessible design and embrace the inclusion principle. Margit Link-Rodrigue tells us how.

[tags]alistapart, semantics, accessibility, design, webdesign, markup, XML, link-rodrigue, joeclark[/tags]

Categories
climate change Code Community Happy Cog™ social networking User Experience UX Web Design Websites work Working Zeldman

Brighter Planet beta

The Happy Cog-designed social network for Brighter Planet is now in public beta. Come on down and kick the tires. Brighter Planet helps you take control of your environmental footprint: measure your climate impact, discover simple ways to reduce it, track your progress, and share your experiences with other people who who want to make a difference.

Happy Cog‘s New York office developed this project. The team:

This truly collaborative project could not have been conceived or completed without the brilliant and generous work of Brighter Planet team members including:

  • CTO Adam Rubin (bio, blog, Twitter)
  • Co-founder and Product Design Director Andy Rossmeissl (Twitter, bio)
  • Senior Systems Engineer Seamus Abshere (bio)
  • Rails developer Rich Sturim (Twitter, bio)

Not only is this young, passionate team dedicated to reducing climate change and all things green, they are also marketing kingpins, shrewd user experience designers, and badass developers.

We love our clients. These folks and this project are dear to us. And it’s a fun way to make a difference. I hope you’ll check out Brighter Planet’s new beta social network.

[tags]brighterplanet, climatechange, beta, site, launch, launches, webdesign, projects, work, happycog[/tags]

Categories
Apple Applications Design Google HTML HTML5 Microsoft User Experience W3C Web Design Web Design History Web Standards

Web standards secret sauce

When Apple chose KHTML rather than Mozilla Gecko as the basis for its Safari browser, some of us in the web standards community scratched our heads. Sure, KHTML, the rendering engine in Konqueror, was open-source and standards-compliant. But, at the time, Gecko’s standards support was more advanced, and Gecko-based Mozilla, Camino, and even Netscape 6 felt more like browsers than Konqueror. Gecko browsers had the features, the comparative maturity, and the support of the standards community. Apple’s adoption of KHTML, and creation of a forked version called Webkit, seemed puzzling and wrong.

Yet, thanks largely to the success of the iPhone, Webkit (Apple’s open source version of KHTML) in the form of Safari, has been a surprising force for good on the web, raising people’s expectations about what a web browser can and should do, and what a web page should look like. Had Apple chosen Gecko, they might not have been able to so powerfully influence mainstream consumer opinion, because the fully formed, distinctly mature Gecko brand and experience could easily have overshadowed and constrained Apple’s contribution. (Not to mention, tolerating external constraint is not a game Apple plays.)

Just how has mobile Safari, a relative latecomer to the world of standards-based browsing, been able to make a difference, and what difference has it made?

The platform paradox

Firefox and Opera were wonderful before any Webkit-based browser reached maturity, but Firefox and Opera were and are non-mainstream tastes. Most people use Windows without thinking much about it, and most Windows users open the browser that comes with their operating system, again without too much thought. This doesn’t make them dumb and us smart. We are interaction designers; they are not.

Thus, the paradox: even though Firefox and Opera offered powerfully compelling visions of what could be accomplished with web standards back when IE6 offered a comparatively poor experience, Firefox and Opera, not unlike Linux and Mac OS, were platforms for the converted. If you knew enough to want Firefox and Opera, those browsers delivered features and experience that confirmed the wisdom of your choice. If you didn’t know to want them, you didn’t realize you were missing anything, because folks reading this page sweated like Egyptian pyramid builders to make sure you had a good experience despite your browser’s flaws.

The power to convert

Firefox and Opera are great browsers that have greatly advanced the cause of web standards, but because they are choices in a space where most people don’t make choices, their power to convert is necessarily somewhat truncated. The millions mostly don’t care what happens on their desktop. It’s mostly not in their control. They either don’t have a choice or don’t realize they have one, and their expectations have been systematically lowered by two decades of unexciting user experience.

By contrast, the iPhone functions in a hot realm where consumers do make choices, and where choices are badges. Of course many people are forced economically to choose the cheap or free phone that comes with their mobile service. But many others are in a position to select a device. And the iPhone is to today’s urban professional gym rat what cigarettes and martinis were to their 1950s predecessors. You and I may claim to choose a mobile device based on its features, but the upwardly mobile (pardon the pun), totally hot person standing next to us in the elevator may choose their phone the same way they choose their handbag. And now that the iPhone sells for $99, more people can afford to make a fashion decision about their phone—and they’ll do it.

Mobile 2.0

Although there were great phones before the iPhone, and although the iPhone has its detractors, it is fair to say that we are now in a Mobile 2.0 phase where people expect more than a Lynx-like experience when they use their phone to access the internet. Mobile Safari in iPhone, along with the device’s superior text handling thanks to Apple and Adobe technologies, is changing perceptions about and expectations of the web in the same way social networking did, and just at the historical moment when social networking has gone totally mainstream.

Oprah’s on Twitter, your mom’s on Twitter, and they’re either using an iPhone or a recently vastly upgraded Palm or Blackberry that takes nearly all of its cues from the iPhone. Devices that copy the iPhone of course mostly end up selling the iPhone, the same way Bravo’s The Fashion Show would mostly make you miss Project Runway if you even watched The Fashion Show, which you probably haven’t.

Safari isn’t perfect, and Mobile Safari has bugs not evident in desktop Safari, but Webkit + Apple = secret sauce selling web standards to a new generation of consumers and developers.

Read more

  • Web Fonts, HTML 5 Roundup: Worthwhile reading on the hot new web font proposals, and on HTML 5/CSS 3 basics, plus a demo of advanced HTML 5 trickery. — 20 July 2009
  • HTML 5: Nav Ambiguity Resolved. An e-mail from Chairman Hickson resolves an ambiguity in the nav element of HTML 5. What does that mean in English? Glad you asked! — 13 July 2009
  • In Defense of Web Developers: Pushing back against the “XHTML is bullshit, man!” crowd’s using the cessation of XHTML 2.0 activity to condescend to—or even childishly glory in the “folly” of—web developers who build with XHTML 1.0, a stable W3C recommendation for nearly ten years, and one that will continue to work indefinitely. — 7 July 2009
  • XHTML DOA WTF: The web’s future isn’t what the web’s past cracked it up to be. — 2 July 2009

[tags]webdesign, webstandards, design, standards, browsers, CSS, webkit, gecko, mozilla, firefox, opera, safari, mobile, mobilesafari, iphone[/tags]

Categories
Design links style Web Design Web Design History Websites

The new old minimalists

The earliest websites were minimal in the extreme, but without the style and flair to make a virtue of their simplicity. 37signals and Kottke pioneered the combination of simplicity with deft design sense. Cardigan made it art.

Although it is never popular, never the dominant trend, rarely wins design awards, and almost never earns acclaim from designers, design stripped down to its essentials is always a good idea, and especially on the web, where every byte counts. We salute the old and new practitioners of minimalist web design, and solicit your thoughts on pioneers or present practitioners who combine a minimalist aesthetic with significant design chops.

[tags]design, webdesign, minimalism, history, web design history[/tags]